Remembering Peregrine Acland

Peregrine Palmer Acland

(1891-1963)

As Remembrance Day approaches thoughts turn to Peregrine Acland, whose Great War novel, All Else is Folly, I wrote about back in March. A very fine work, praised by Ford Madox Ford, Bertrand Russell, Frank Harris and our own war-time prime minister Sir Robert Borden, of all the out-of-print books read this past year, this is the one I would bring back. It remains a mystery to me that this novel has been so neglected.

One might make a similar statement regarding the author. Very little has been written about Acland, much of it sketchy and inaccurate. The biographical note that accompanies We Wasn't Pals, the Great War anthology edited by Barry Callaghan and Bruce Meyer, lists no dates of birth or death, and mistakes his only other book, the poem The Reveille of Romance, for a novel.

Once a newspaperman, Acland's own writing has him in Alberta working as a cowboy before the war – an unlikely occupation for a the son of the Deputy Minister of Labor. Greg Gatenby's remarkable Toronto: A Literary Guide, tells us that after the war Acland worked as an ad man in New York and Toronto, and was a member of Mackenzie King's private staff during the Second World War. A Torontonian, he died in the city of his birth, having lived the final years of his life in an apartment at 100 Gloucester Street.

I can't claim to have done any real research on Acland myself, though I did seek out his Attestation Paper – easily done through Library and Archives Canada. I've also come across a a smattering of wartime writing published in the Globe and Pearson's Magazine, along with the above photo, which was used in a McClelland and Stewart advert for All Else is Folly. The scarring almost certainly comes from the severe wounds he received during the Battle of the Somme, and is similar to that suffered by his protagonist Alec Falcon.

Acland was awarded the Military Cross; his "conspicuous bravery at the front" was reported in the dailies. The novel drawn from his experiences was published in three countries, received glowing reviews, and soon went out of print. What recognition has Acland received since? After the adverts for All Else is Folly had run, his name disappeared from the Globe and Mail, the newspaper for which he'd once worked; even his death went unreported. It's all so shameful, really.

Update: Field Punishment No. 1 reveals that the Globe and Mail did indeed report on Peregrine Acland's death, succeeding where this blog failed. Once again, it seems that I've been let down by the Globe and Mail search engine.

Related post:

Alec Falcon, c'est moi
A Neglected Novelst's Neglected Grave
The Great Canadian Great War Novel

Not Very Occult

The Inner Shrine: A Novel of Today

Anonymous [Basil King]

New York: Grosset & Dunlop, n.d.

On 28 July 1912, the New York Times published a letter from one Parker Mann of Nestlewood. Under the heading "WHO WROTE IT?", Mr Mann reports: "A friend has told me of a lady who gave her a most circumstantial account of the writing of 'The Inner Shrine' by the lady's uncle, a gentleman named Wilson. This gentleman, it seems, is now dead."

Coming four years after the novel first appeared in Harper's, the letter just added to a very large, ever-swirling mass of misinformation, speculation and rumour. From the start, the publisher played it all up, at one point announcing that no less than 34 names had been mentioned in print as the possible author. In the United States, The Inner Shrine became the biggest selling book of 1909.

I imagine publishers of The Calling would be envious.

Two weeks after Mann's letter, the truth was out – the anonymous novelist was not a man named Wilson, nor was it Edith Wharton or Henry James, but Basil King, a retired clergyman from Canada's Maritime provinces.

The reverend wasn't a complete unknown. Once a popular pastor, he'd turned to writing novels when his failing eyesight forced early retirement. The first three, published under his name, were well-received and had achieved modest sales, but nothing like that enjoyed by The Inner Shrine.

Well-crafted, if wordy, the novel is a drawing room drama of the sort familiar to readers of William Dean Howells (whose daughter, Mildred, was amongst those named as the author). Like the reverend's previous works, it focusses on matters moral; in this case the trials of a woman whose reputation is sullied by a boastful, self-centred aristocrat. Really, what it all comes down to is some guy saying he slept with a girl, when he didn't.

This was, of course, a different time; one in which stepping into a motor is to invite accident and these are words of woo: "I've become even more deeply conscious than I was before of the ineradicable nature of what I feel for you."

Ah, yes. There's also a minor scandale that devolopes when a suitor displays effrontery in touching a young lady's muff.

No ribald comments, please.

The Inner Shrine is an entertaining, if disappointing, read. King was known as a writer with a great interest in spiritualism, and so, I was expecting a good deal of weirdness. All starts off well, with a very strong first chapter in which a mother is kept awake by a seemingly inexplicable "presentiment of disaster".

She soon learns that her son is dead.

At a lighter moment, one character tells another of her belief that "there are forces at work here that you and I don't see."

"How very occult!" is the response.

Yet, there's otherwise no evidence of the reverend's interest in the otherworldly.

Or am I wrong? Could it be that the author had a preminition that his anonymity would be a big deal? The novel includes this brief passage, apropos of nothing:

Do you remember what Sir Walter Scott said, in the days when the authorship of Waverley was still a secret, to the indiscreet people who asked him if he had written it? 'No,' he answered 'but if I had I should give you the same reply.'

Oh, those indiscreet people... always so curious to know who wrote that book they so enjoyed.

Object: My copy, a Grosset & Dunlop reprint, owes its look to the 1909 Harper and Brothers first edition. Cheaper paper, black cover type instead of gold, it drops four of the eight plates, but has the advantage of some interesting adverts for other Grosset & Dunlop offerings. Much as I enjoyed The Inner Shrine, I can't help but think that these two would've been more fun:

Access: The time has come to take yet another swipe at the polluted world of POD publishing. I direct the back of my hand at booksellers who clutter the online used sites with "brand new" copies of public domain titles like The Inner Shrine. One English bookseller, located in Exeter, claims to have an inventory of 18 copies, published by the very fine firms of ReadHowYouWant, IndyPublish, Bibliobazar, 1st World Library, the Echo Press and two others that he seems unable to identify. Prices range from C$24 to C$84 – for the very same POD copies that can be purchased through Amazon for C$14 to C$36. I recommend the first edition, which is readily available in Very Good condition from more reputable sellers for as little as C$8.

Meighen as Monster

Arthur Meighen wasn't such a bad looking fellow, and as depicted by the good folks at Crayola he appears quite harmless. Would that the same could be said about his statue, which is a frightening fixture, something akin to a permanent Halloween decoration.

This is Ottawa's reject. Commissioned at the same time as a statue of rival Mackenzie King, it was meant to stand with those of Macdonald and Laurier on Parliament Hill. King's is just north of the East Block, while Marcel Braitstein's statue of Meighen may be found 600 kilometres away in the corner of a small park on a minor street in the town of St Marys.

Why this is so is best explained in Ottawa Boy (General Store, 2000), the biography of Lloyd Francis. Here the late MP for Ottawa West recalls a 1968 visit to a Public Works warehouse to see these tributes:

The statue of Mackenze King was conventional and posed no problem. The one of Arthur Meighen was grotesque, with his arms spread and his face turned to the sky as if he were contemplating Armageddon. The plight of a Liberal minister of Public Works was clear: If he caused the statue to be erected, there would be an outcry, but if he did not, he would be accused of slighting the memory of a distinguished Conservative prime minister.

According to Francis, that Minister of Public Works, George James McIlraith, found a way out of the fix by seeking recommendations from senators Eugene Forsey, a Liberal, and Grattan O’Leary, a Progressive Conservative. Both advised against erecting the Meighen statue. None of this prevented John Diefenbaker from sounding off, describing the statue as "the greatest monstrosity ever produced – a mixture of Ichabod Crane and Daddy Longlegs." A bit over the top, but at the same time appropriate, given Meighen's early career as a schoolteacher.

Meighen's statue remained warehoused until 1987, when efforts of some dedicated locals brought it to town. I've yet to find a single person who cares for the thing. The elongated legs and bulbous face attract the most comment, but what I find disturbing are those hands... those hands... The hands of a murderer, I'd say.

Incidentally, the Crayola people have robbed Meighen of the last ten years of his life; he didn't die until 1960.

I have always argued against the use of colouring books as reference material.

A Harlequin Halloween

Related posts:

Another Harlequin Halloween

It's Harlequin Halloween Time!

Politician Picks Playwright!

The Greatest Englishman of History

Arthur Meighen

Toronto: S.B. Gundy/Oxford University Press, 1936

It's been eighteen months since we traded our swanky Vancouver condo for a Victorian Italianate in St Marys, Ontario. Our first experience with small town living, I think we're taking to it. Besides, we're not all that far from Toronto, London is close by and Stratford, with its famous festival, is only fifteen minutes down the road. This is not to say that St Marys doesn't have its own attractions. The town has produced more than its fair share of professional hockey players and was home to poets James MacRae and David Donnell. 

Being a political beast, in my mind the one name that rises above all others is that of Arthur Meighen, our ninth prime minister. Meighen wasn't born in St Marys, but he spent much of his youth here, considered it home, and was buried in the cemetery on the edge of town.

I doubt I'd have voted for the man, but I certainly would've made an effort to see him speak. Meighen was known as a great orator; while he couldn't best rival Mackenzie King in political manoeuvring  he was most certainly the tubby bachelor's better on the floor of the House of Commons.

Meighen published three volumes of speeches. The first, Oversea Addresses (Musson, 1921), collected those made during his summer 1921 visit to Europe, while the second, Unrevised and Unrepented (Clarke, Irwin, 1949), relies almost entirely on hansard. Sandwiched in-between is this curious little book.

Meighen wrote The Greatest Englishman of History in 1934, while en route to Australia. His subject was Shakespeare, whom he'd read and reread since that St Marys childhood. "In literature I am only a layman", he acknowledges at the beginning, "and it is to laymen alone that I have a right to speak."

Meighen's problem, as he discovered upon arrival at Melbourne, was that laymen didn't much want to listen. True, there was interest at first. Just who was this "Greatest Englishman of History"? Nelson? Wellington? Pitt the Younger? But when Meighen revealed his subject, he met indifference and incredulity. Brass at the Millions Club of New South Wales, for example, passed up the chance to hear the Canadian's thoughts on the Immortal Bard, preferring a talk on the 1932 Ottawa Economic Conference and the international trade agreements it produced.

The Canberra Times, 16 November 1934

Meighen returned to Canada a wiser man. Aboard ship he accepted an invitation to speak to the Vancouver Canadian Club, wiring back that his subject would be the "Greatest Englishman of History". This time, Meighen chose not to disclose the identity beforehand. Biographer Roger Graham tells us that when it was revealed "the audience drooped visibly, slumping in their seats to endure an hour's boredom. What could be worse than a politician on Shakespeare? Before long, however, they were aroused, sitting up straight and listening intently. When he had finished they stood and gave him a resounding ovation, shouting, cheering and throwing their table napkins in the air."

Addresses in Ottawa, Montreal and – oddly – Pittsburgh followed. The delivery before the Toronto Canadian Club was recorded and found its way into college and university libraries. And, of course, we have this little book, which went through a number of printings.

Seven decades later, it's difficult to see what all the fuss was about. Meighen's is a work of admiration, appreciation and love – all of which are very much on display – but there's not anything particularly insightful or novel about his words. I suspect the reaction had much to do with the statesman's delivery, executed without speech in hand. This, and the fact that, as a subject, Shakespeare was a darn sight more interesting than the 1932 Ottawa Economic Conference; no matter what those in charge of the Millions Club might have thought.

Object: A slim hardcover with paper label, the entire first edition appears to suffer from an unsightly skin affliction.

Access: A few public libraries, including St Marys' own, have copies, but universities are the best bet. The news that Library and Archives doesn't have this book – by a former prime minister – will come as small surprise to regular readers of this blog. There are plenty of Very Good copies of the first edition going for under C$20. That Vermont bookstore with the absurd prices shows up yet again, asking C$110 – over ninety dollars more than anyone else – for a copy described as being faded, soiled and yellowed, with a previous owner's signature on the front endpaper. Unless that previous owner was Mackenzie King, I advise all to pass.

White Circle Canadians (w/ Warning)

In 1943 and 1944, Collins placed some pretty pricey White Circle adverts in the Globe and Mail. I expect these spurred sales, but they appear to have had no effect on editorial – during those same years, there was otherwise no mention of the imprint in the paper. This is known as integrity. Indeed, the "Canadian Classic" piece featured in Thursday's post marks one the very few times White Circle appeared in actual copy. If the somewhat unreliable Globe and Mail search engine is to be trusted, the imprint was last mentioned in its 1 April 1950 edition – and then only in connection with rising star Hugh Garner:

Not much of a notice, but interesting in that Cabbagetown, which White Circle would publish, is the only mass market paperback original found in the Canadian canon. (Should I be counting Neuromancer?) The piece also reflects a significant difference between White Circle and its Canadian competitors. Harlequin's most acclaimed Canadian writer was Thomas H. Raddall, News Stand Library had... well, Al Palmer, but White Circle published Garner, Stephen Leacock, Hugh MacLennan, Earle Birney, Ralph Connor and Roderick Haig-Brown.

(In fairness to News Stand Library, it did publish Garner's pseudonymous 1950 "Novel about the Abortion Racket", Waste No Tears.)

Six decades later, Garner has dimmed, Connor is little read, and Haig-Brown seems relegated to regional writer status – but Leacock, MacLennan and Birney continue to be celebrated and studied.

In keeping with this month of Thanksgiving, what follows is a final visual feast featuring some of White Circle's more interesting Canadian titles. The pitch on the early Barometer Rising is a favourite. "AS EXCITING A NOVEL AS MAY SAFELY BE PUBLISHED", it begins, immediately contradicting itself with this warning: "A NOVEL OF LITERALLY UNENDURABLE SUSPENSE".

There you have it: not safe at all, but literature's equivalent of Ernest Scribbler's killing joke.

1943 and 1951

1945

1945

1950

1951

1951

1952

1952

1952

My thanks to JC Byers, whose thorough Bibliography of Collins White Circle provided images of titles missing in my own collection.

First Ignored, then Slighted

A most welcome new blog, Fly-by-night, aims to shine some light on Canada's early paperback publishers. It seems such a daunting task; not because they were many in number, but because so little attention as been paid by our literary historians, biographers and bibliographers. Take, for example, Collins White Circle, an imprint of the esteemed William Collins Sons' Canadian branch: 429 titles published over a ten year period and not a mention in The Canadian Encyclopedia, Encyclopedia of Canadian Literature, or The Perilous Trade, Roy MacSkimming's 2003 history of Canadian publishing. The History of the Book in Canada – published in three volumes, amounting to 1837 pages – devotes a mere five sentences to the imprint.

It seems that even when it was around, White Circle went unrecognized by literary types. As evidence I point to a piece by critic William Arthur Deacon in the 29 November 1947 edition of the Globe and Mail, which credits the Reprint Society of Canada for returning Stephen Leacock's "masterpiece" Sunshine Sketches of a Little Town to print. This, despite the fact that since 1942 the book had been available as a White Circle paperback. Writing in the paper two months later, Deacon builds upon his error, praising the Society for, amongst other things, offering "the only extant edition of Leacock's Sunshine Sketches".

Collins' correction inspired this unsigned slight:

Yes, yes, yes... and Orillia has more than four buildings... and not all have red roofs... and steam engines aren't typically dwarfed by sheds. Honestly, why not just own up to the mistake and move on?

The Globe and Mail adds insult by printing the criticism beside an advert for, of all people, the Reprint Society of Canada.

And in related news: Word comes in the form of an email that Harlequin's Vintage Collection was a one time thing. "At the present time, there are no plans to reissue more vintage books", writes customer service agent Angela. Those who'd put money aside for a David Montrose or Thomas P. Kelley reissue may wish to consider instead a Ronald J. Cooke The House on Craig Street address book.