Selling The Unfulfilled

A dry study in international relations? I thought so when I unearthed this book last month. After all, author W.G. Hardy was a professor – at the University of Alberta, no less. And just look at the thing. The flap copy informs, but does not inspire:

What do Canadians really think about Americans? An outstanding Canadian novelist here shows the full impact of the United States upon her nextdoor [sic] neighbor [sic] across the famous "undefended border" – and upon the consciousness of the free world. In a compelling novel, Dr. Hardy has done for the character of Canada and the Canadian what no other Canadian or American novelist has done so effectively.

Image and cover copy come from the 1951 McClelland and Stewart first edition. The first American edition, published the following year by Appleton-Century-Crofts, uses the very same cover and spelling.

The paperback houses knew better how to sell a book. Here's the first paper edition, from Harlequin:

No mention of "the character of Canada", nothing about "the consciousness of the free world", the young publisher sells sin – more than one, apparently.

The American paperback, published in 1952 by Popular Library, is hotter still. Odd, adultery isn't even mentioned in the hardcover flap copy. An "Abridged edition", it's rid of dead wood, but still fails to satisfy.

Related posts:

Selling The Strange One

Selling The Nymph and the Lamp

Ontario Gothic Romance (with the scent of Brut)

Satan's Bell

Joy Carroll

Markham, ON: Pocket Books, 1976

190 pages

This review now appears, revised and rewritten, in my new book:

The Dusty Bookcase:

A Journey Through Canada's

Forgotten, Neglected, and Suppressed Writing

Available at the very best bookstores and through

Biblioasis, Amazon, Chapters/Indigo, and McNally-Robinson.

Bottoms Up, Shy Photographer

Reading The Queers of New York a couple of weeks ago got me thinking about Jock Carroll, under whose editorial direction the book was published. A fine photographer, but not much of an editor, he's at least partly to blame for the novel's failings. Truth be told, Carroll wasn't much of a writer either, though he did have a number of titles to his credit. The first edition of Bottoms Up (1961) is the most sought-after, but only because it was published by the infamous Olympia Press. Carroll's only novel, it is perhaps the blandest piece of writing Maurice Girodias ever passed off as "erotica".

It's a wonder that Bottoms Up thing ever made it into print – that it was republished seems not improbable, but impossible. And yet, for more than a decade the novel was available in one form or another. There were at least thirteen editions, published in six counties, making Bottoms Up one of Canada's all-time best selling novels. Carroll once boasted that it had moved close one million copies. The editions below go some way in backing up his claim.

Bitte recht scharf

Bremen: Schünemann Verlag, 1963

Not only the first translation, but the first hardcover edition in any language. The German was followed by Italian (Il Fotografo Timido, 1967) and Danish (Den blufærdige fotograf, 1969) translations.

The Shy Photographer

New York: Stein & Day, 1964

Retitled, Carroll's novel kicked off Stein & Day's "Olympia Press Series". Short-lived, ill-fated, the series actually began and ended with The Shy Photographer. The cover was also used on the first British edition, published in 1964 by Macgibbon & Kee.

The Shy Photographer

New York: Bantam, 1965

The first and only legal American paperback edition. "Candy with a camera!" exclaims, um... whoever wrote the cover copy, I guess.

The Shy Photographer

London: Panther, 1965

"The novel that's loaded with heaven-ly nudes". Not true.

The image was also used for the 1970 German paperback edition.

Bottoms Up

Covina, CA: Collectors Publications, 1967

A pirated edition produced by the notorious Marvin Miller. "FIRST AMERICAN PRINTING" is the claim. Again, not true.

The Shy Photographer

London: Panther, 1967

A droog takes a photograph. Whoever designed the second Panther edition seems to have been intent on representing both titles.

Wholly unappealing. And is not superimposing the author's name across some guy's ass just a tad insulting?

Il Fotografo Timido

Collana: Longanesi, 1970

The first Italian paperback edition recycles the hardcover image (which was in turn borrowed from the Bantam paperback). Of all the translations, the Italian is by far the most common.

Il Fotografo Timido

Collana: Longanesi, 1972.

A later Italian edition, the last in any language, continues the tradition of misrepresentation. Protagonist Arthur King does not become a photographer for Playboy, and at no point does he don a pair of purple panties.

There has never been a Canadian edition.

Related post:

Canada's Olympians (Part IV)

My Career as a Teenage Rock Photographer

From the archives, these handbills and related photographs from my aborted career as a concert photographer. I never was serious and asked for no special favours. In fact, these were all taken using an old 35mm Canon (with broken light meter) that was smuggled into each show in a friend's purse.

Gang of Four's Jon King at Montreal's Beer Garden, 4 July 1981. thirty years ago today. I've since seen the band three more times, but have never once heard them play "5:45", my favourite of all their songs.

Dave Allen, Hugo Burnham and Andy Gill. It's my understanding that this was the last time Allen played with the band until the 2005 reunion. Here it looks like he's packing up:

Durutti Column with American Devices. Véhicule Art, Montreal. 2 April 1982. With an audience of twenty or so, it was much harder to go unnoticed at this show. Still, no one seemed to mind. Damn that light meter.

The great Vini Reilly.

Montreal was their first ever Canadian gig, squeezed between New York and Toronto on a three-date North American tour. They've never been back – no return of the Durutti Column.

Sorry.

A bootleg recording of the Véhicule Art show is out there under the title dcmtl 1982. It includes this, for three decades my favourite Reilly composition:

Two Hurrahs for the New Dominion

Two poems in celebration of Canada Day, both titled "Hurrah for the New Dominion", both by Scottish immigrants. The first, penned by Alexander McLachlan, comes from his Poems and Songs (Rose, 1888):

McLachlan's verse was later included in Selections from Scottish Canadian Poets; Being a Collection of the Best Poetry Written by Scotsmen and Their Descendants (Rose, 1900), in which we also find this somewhat disturbing photograph of George Pirie.

Considered "one of the ablest writers in Canada" by Prime Minister Alexander Mackenzie, a foe, on 1 July 1867 Pirie was editor of the Guelph Herald. His "Hurrah for the New Dominion" is, I think, a bit more fun:

Hurrah for the New Dominion!
'Tis founded on public opinion;
Mid the blessings of peace
May the nation increase,
Till the twin oceans bound the Dominion.

Sadly, Pirie didn't live to see the young country reach the Pacific Ocean; he died in July 1870, just one year before British Columbia joined Confederation.

A happy Canada Day to all!

Related post: Roberts' Dominion Day Collect

Another Tie, Another Place

The Canadian and America editions of Neil H. Perrin's Death Be My Destiny, both published by News Stand Library, both bearing covers drawn by the same anonymous hand. How to explain the differences? Do Canadians prefer blondes? Do we choose hard liquor over red wine? Are our ties a touch more garish, our women more modest? Can it really be that our seedy hotels are so luxurious? It all seems wrong... even that bit about the ties.

Still no trigger on that gun, I see.

Update: Over at Fly-by-night, bowdler has posted an image of the uncommon dustjacket that adorned the American edition.

Words of Hate for Maria Monk

Maria Monk was born 195 years ago today in Dorchester, Lower Canada (now Saint-Jean-sur-Richelieu, Quebec). The "Awful Disclosures" published under her name were just one awful part of an awful life that ended tragically in a New York City prison thirty-two years later. Neither the date of her death, nor her place of burial were recorded, but this didn't stop poet John J. MacDonald (a/k/a James MacRae) from putting poison pen to paper. From his self-published Poems of J. J. MacDonald, a Native of County Glengarry (c. 1877):

EPITAPH FOR MARIA MONK

Whoever ye are by this tomb that shall go,
Beware lest ye tread on the filth that’s below,
For under this monument lowly are laid
The mortal remains of a comical jade.

Ye swine that by accident hither come round,
Refrain from disturbing or turning the ground,
Or else you will die from inhaling the air;
Ye feathering songsters, be cautious, take care.

The only exception 'tis proper to make:
That Methodist preachers full freedom may take,
For they loved and accompanied her while she lived,
And from them she special attention received.

In actuality, it wasn't "Methodist preachers", but Presbyterian clergymen who used poor Maria in creating the hoax. There is a difference.

An early, hand-tinted photograph of St Marys, Ontario showing MacDonald's church, Holy Name of Mary (right) and one of the town's two Presbyterian churches (left).

Related posts:

Maria Monk's Immortal Book

Pornography of the Puritan

Maria Monk and the Kennedy Campaign