02 January 2012

Dead Man Sitting



Mr. Gumble Sits Up
Douglas Durkin
New York: Liveright, 1930

Back in 1930, when it received its first and only printing, Mr. Gumble Sits Up was described by the Chicago Tribune as “a fantastic tale”. That I can’t report anything more says much about my reaction to this novel. Mr. Gumble Sits Up is a fantastic tale, and an intriguing book, but not so much that I’d pay the paper the US$3.95 they’re asking for the rest of the review.

The novel begins with the demise of its title character. Gumble is a simple and simple-minded small town hardware store owner. Unhappily married, pursed by creditors, he’s overtaken by mortal illness “on one of those very days when life had, so to speak, given him another beating.” His wife pulls back, creditors pull back, and Gumble enjoys the silence:
When he was told the solemn truth at last – that is he was about to die, was dying, in fact – Gumble embraced the knowledge with what remaining strength he had and went to sleep as peacefully as any child. In the morning he was dead.
Gumble’s rest in peace ends abruptly when he returns to life at his own funeral. This resurrection raises all sorts of interesting questions: Is the widow Gumble still free to marry her true love, Mr Pound of the village of Wayne? What of all those creditors? Should they begin apportioning the man’s estate or would they be obliged to extend their loans?

Ill-feelings abound, and Gumble figures it would be best for all concerned if he simply vanished. He sneaks away from this Leacockian quagmire, entering a rural America that bears some similarity to that of Liveright stable-mate Sherwood Anderson. Dark laughter meets black humour, bleak situations and curious conversations that consist almost entirely of what the dust jacket describes as “homely philosophy”. Here Gumble exchanges views with a snake oil salesman:
“It’s a wise man that accepts the truth and acts before it is too late.”
“True enough,” replied Gumble, “true enough! But you have heard, perhaps, that it is a wise man who knows when to doubt.”
The vendor looked puzzled for a moment. “I have never heard that, my friend,” he retorted at last, “but I have heard that a fool can ask questions a wise man can’t answer. What is it you want to know?”
Gumble knew how to appreciate a witty turn even when he himself was the butt of it. “Very good, very good!” he laughed affably.
And so it goes. Things happen – often fantastic, usually amusing – but all is undercut by page after page of tiresome dialogue, more often than not instigated by Gumble himself:
”You have heard it said, I am sure, that every dog must have his day.”
“You mean, perhaps, that by the same token we should let sleeping dogs lie,” laughed the widow.
“Very good!” Gumble declared and joined heartily in her laughter. “Very good, indeed!”
The reader is relieved when, after 230 pages of this, Gumble succumbs to an accidental drug overdose. Dead for a second and final time, he takes in a sun that “had never shone so brightly”, and just keeps talking:
“And what do you make of it all my friend?” he asked the first wayfarer he met. “or are you good at riddles?”
“As for that –” quoth God, and was silent.
Thus endeth the novel.

God is merciful, is he not?

Object: A well-constructed hardcover in black boards with gold lettering. The dust-jacket, turquoise paper with black and red printing, is a bit fragile. The back flap price reductions reflect Liveright's ineffective reaction to the 1930 book war begun when Doubleday and others slashed prices of their new fiction lists to one dollar.

Access: A rare book, it's held by not one of our public libraries and just eight of our university libraries. No copies are listed for sale online. My copy, the only I've ever seen offered, was purchased last month from an American bookseller for US$9.95.

Related post: Mr. Gumble Meets David Golder

01 January 2012

Immature Verse for a New Year



Twenty-two lines of celebration from Poems (Beauchemin, 1922), the first volume by young Ethel Ursula Foran (1900-1988). The daughter of True Witness editor Joseph Kearney Foran, himself a poet, she subtitled her collection of "immature verses" A Few Blossoms from the Garden of My Dreams.


Related posts:

31 December 2011

27 December 2011

A Quiet Revolution and Still Cowards Complain



The Squeaking Wheel
John Mercer [pseud. Eric Cecil Morris]
n.p.: Rubicon, 1966
103 pages

This review now appears, revised and rewritten, in my new book:
The Dusty Bookcase:
A Journey Through Canada's
Forgotten, Neglected, and Suppressed Writing
Available at the very best bookstores and through

25 December 2011

A Merry Christmas to All



A few favourite images from the 1961 Eaton's Santa Claus Parade Colouring Book. The entire thing – 32-pages, plus "COLOUR GUIDE IN FULL COLOUR" – is available for download here from the Archives of Ontario.

Merry Christmas!

23 December 2011

Pulp Noir à Montréal



The new edition of Canadian Notes & Queries lands, and with it comes another Dusty Bookcase sur papier. This time the spotlight plays upon Ted Allan's Love is a Long Shot. Not the Love is a Long Shot for which he was awarded the 1984 Stephen Leacock Medal, but a cheap, pseudonymous pulp novel from a quarter-century earlier.

Published by News Stand Library in September 1949, two months before newspaperman Al Palmer’s Sugar-Puss on Dorchester Street, this Love is a Long Shot holds the distinction of being the first pulp noir novel set in Montreal. As I write in CNQ, it ain't that pretty at all. The cover depicts, but doesn't quite capture, one of the darkest, most horrific scenes in any Canadian novel.


There's more to the issue, of course, including new fiction by Nathan Whitlock, new poetry by Nyla Matuck and – ahem
praise for A Gentleman of Pleasure from George Fetherling.

22 December 2011

POD Cover of the Month: The Simple Adventures of a Memsahib



Wait, isn't that Montreal?

It seems almost cruel to again focus on Nabu Press, but what better way to begin this day, the 150th anniversary of Sara Jeannette Duncan's birth, than to take a swipe at those dishonouring her work. Using a stock photo of a Slovakian castle for a novel set in India is one thing, but what I find more interesting is the botching of fair Sara's name:
Sara Jeanette (Duncan) "Mrs. Everard Cotes" Cotes
What dog's breakfast lies beneath that cover?

First edition:


New York: Appleton, 1893

A Christmas bonus:


Further ineptitude from POD publisher Echo Library of Fairford, Gloucester. The surname is correct.

Related posts:
POD Cover of the Month: Montreal for Tourists..
POD Cover of the Month: Rila of Ingelside

POD Cover of the Month: Romany of the Snows