06 June 2022

Accidents Never Happen in a Perfect World



Murder by Accident
Leonie Mason [Joan Suter]
London: C. & J. Temple, 1947
200 pages

Guy Warren is a demobbed major. The war over, he seeks rest and relaxation at Green Acres, an American-styled retreat in the English countryside. Henry and Christie Burton serve as host and hostess. Fellow guests include middle-aged middlebrow novelist Anna Rawlings, her much younger husband Frank, and her overworked secretary Angela Nash. Soon to be divorced brassy blonde Lydia French and wealthy hotelier George Hesketh round out Green Acres' vacationers. 

Was there a time in which hotel guests gathered in the common room for evenings of conversation and bridge? Murder by Accident suggests as much. With the sun setting on Guy's first day at Green Acres, Lydia begins making moves. He enjoys the attention until pretty Angela enters in the room.

The next morning, host Henry has to deal with novelist Anna turning up late for breakfast. On a typical day, this hour is set aside for going over business in private with Christie. Anna intrudes, takes a generous helping of eggs and mushrooms, retires to her room, becomes violently ill, and dies. Henry does better in that he survives.

The coroner is called, blame is placed on the local grocer for providing toadstools, and everyone moves on but not out. All stay at Green Acres, Guy and newly-unemployed Angela included; their burgeoning romance is fed by a shared conviction that Anna was murdered.

Joan Suter's second novel, Murder by Accident followed her first, East of Temple Bar by a matter of months. Of the two, I prefer the former, but only for its autobiographical elements.

Murder by Accident isn't terrible. Its most obvious flaw lies in the title, which serves as something of a spoiler. While Guy and Angela talk and talk and talk, positing this theory and that about Anna's death, the reader knows that the novelist's murder wasn't intentional.

The book's greatest flaw lies in its climax. I regret to report that this is one of those mysteries in which the murderer is given the opportunity to murder again so as to be caught in the act. Worst still, the intended method is absurd.

I'll say no more, but will be happy to share with the curious. You may just laugh.

Trivia: Both East of Temple Bar and Murder by Accident were thrown aside, never to be acknowledged after the author's emigration to Canada. As Joan Walker, wife of James Rankin Walker, the former Joan Suter (aka Leone Walker) wrote three more books: Pardon My Parka (Toronto: McClelland & Stewart, 1954; winner of the Stephen Leacock Medal for Humour), Repent at Leisure (Toronto: Ryerson, 1957; winner of the Ryerson Fiction Prize), and Marriage of Harlequin (Toronto: McClelland & Stewart, 1962; it won nothing). She lived a further thirty-five years after the last, but published no further books.

Object: A post-war artefact, Murder by Accident is a cheap production bound in flimsy red boards with delicate wraps. I paid eight pounds for my copy. Its dust jacket promotes The Attic Murder and Four Callers in Razor Street, two Temple mysteries by Sydney Fowler. How's this for a jacket illustration?


Access: I can find no evidence that any library has Murder by Accident in its holdings. A bookseller in Blackpool has listed a copy sans jacket at £7.25. After that, there's nothing.

Get it while you can!  

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03 June 2022

Reading Writing About Richard Rohmer


Lieutenant-General Richard Rohmer's commanding countenance graces the cover of the new issue of Zoomer, just now hitting the stands. A cover boy at 98, his appearance owes something to Her Majesty's Platinum Jubilee. In the corresponding article, "A General Fit for a Queen," Ian Coutts writes of Rohmer's decades-long relationship with our monarch, his life, his various careers, and his bestselling thrillers.

I'm honoured to have been interviewed for the piece. An elementary school discovery, Richard Rohmer was my very first favourite Canadian author. Eight years ago, with pals Chris Kelly and Stanley Whyte, I resolved to read every single one of his books. We very nearly succeeded. The blog Reading Richard Rohmer documents our adventure. 

Richard Rohmer hasn't published a new book since 2007's Ultimatum 2. And so, I was excited to read this in Ian's article: "As we wind down the interview, Rohmer hands me the dazzling, fiery abstract cover design for the non-fiction book he is working on, about high air temperatures in the Rockies and melting permafrost."

How's that for a teaser?

Long live the queen!

Long live the general!

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01 June 2022

The Dustiest Bookcase: W is for Wiseman


Short pieces on books I've always meant to review (but haven't).

Testimonial Dinner
Adele Wiseman
Toronto: Prototype, 1978
58 pages

Adele Wiseman died thirty years ago today.

Still unread – by me, anyway – this copy of Testimonial Dinner was brought out of storage by a savvy bookseller the next day.

$15.00

Signed. 

I was an easy mark.

A play, Testimonial Dinner has the very look of a self-published book. Perhaps it was. In The Force of Vocation: The Literary Career of Adele Wiseman (Winnipeg: University of Manitoba, 2006), Ruth Panofsky, writes that it was "printed privately for the author."

I may not have read Testimonial Dinner, but I have read and reread the back cover. In my twenties, it seemed unbelievable. Thirty years later, Wiseman's experience doesn't surprise me in the least.


I really should read this book.

30 May 2022

Walking in on Virginia Box and Baird Rodd



The Girl From H.A.R.D.: Virginia Box and the "Unsatisfied"
James Moffatt
London: New English Library, 1974
112 pages 

I first visited the UK in 1974, arriving on a British Airways jet still painted in BOAC colours. My mother had brought us – my sister and myself – to meet relatives and friends of our late father. She gave me fifteen pounds, by far the most money I'd ever held held, which I spent it on a hardcover copy of the most recent Guinness Book of Records, a SHADO Interceptor, and a SHADO 2 Mobile.

The SHADO Dinkys have proven good investments – I have them still – but if I could go back in time, I would buy every copy of Skinhead, Suedehead, Demo, Boot Boys, Skinhead Escapes, Skinhead Girls, Glam, Smoothies, Sorts, Teeny Bopper Idol, Top Gear Skin, Trouble for Skinhead, and Skinhead Farewell I could find. Written by Canadian James Moffatt, sold for 30p, few can be purchased for under one hundred quid today. 

The Girl from H.A.R.D.: Virginia Box and the "Unsatisfied" was published during that 1974 summer in England. The second novel in the series, Moffatt presumes that the reader has read the first (right). I had not, but found it took little time to get up to speed. H.A.R.D. is the Hemisphere Administration for Regional Defence. Virginia Box – "leggy, busty blonde" – is its most valued agent. Baird Rodd is her superior. He sits on a "phallic-backed chair" behind a buttock-shaped "erotic desk."

Juvenile stuff, right? But things turn very dark in the fourth and fifth pages with Virginia working to procure an abortion for Ima Kissoff. Here the uninitiated are given a sense of what transpired in the the first Virginia Box novel. A Soviet agent, Ima was defeated by H.A.R.D., and at some point was raped by a man named Willi Kumm.

The Girl from H.A.R.D.: Virginia Box and the "Unsatisfied" is a lighter read. Our heroine is assigned to infiltrate Connie and the "Unsatisfied" (always in quotation marks), a rock band suspected of having ties with T.R.U.S.S. (Terrorism, Revolution and Underground Specialists in Sabotage). Much is made about lead singer Connie Linguistam being a lesbian, as are T.R.U.S.S. higher-ups Dolores Glamm and Magda Hott:
It stank of Rodd manipulation. As if her boss had deliberately put the computers to work and punched Box against lesbian and waited for a tray of cards to provide him with some inner, perverted sense of achievement.
May as well add that Ima Kissoff is also a lesbian.

Virginia's value to the agency is a sexuality so great that it can destroy creepy H.A.R.D. scientist Dr Spill's "sex computer" Exita (EXItments Transmitted into Action). Everyone is attracted to Virgina Box and wants to bed her. Club owner Dick Long gets lucky, but only because the agent was feeling amorous. There are no sex scenes, nor is there anything particularly sexy. Nothing else is so hot or inept as this passage:
Quickly now, she dressed. When she finished she postured before the mirrors again. The small, uplift brassiere did nothing except emphasise how firm her breasts really were and hoe exciting their nipples could be when fully awakened. The transparent blouse let every man see this. And the mini-skirt only served too whet appetites which could not, after one glance, have failed to be already whetted. Curvaceous legs, more curvaceous thighs beckoned sensually.
     "You're a sight for sore, lecherous eyes," she told her glassy self.
Late in the novel, Moffatt Rodd decides Virginia must uncover the identity of the man funding T.R.U.S.S. This she does by determining that his true initials are the reverse of those in his false name.

"'That's all you had to work on?' the man asked incredulously."

Yep.

All in all a frustrating, disappointing read. And not because it didn't last long.


Trivia:
The Girl from H.A.R.D. was retired after a third adventure, Perfect Assignment (1975), in which she crosses paths with Perfect Laye, queen of the London underworld. 

Object and Access: A slim softcover. If WorldCat is to believed  – why should it? – only the National Library of Scotland has a copy. Mine was bought four years ago. I see only one copy listed for sale online. At US$9.96 it might seem a bargain, but the bookseller lists the shipping from New Zealand to Canada at an even US$37.00. 

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13 May 2022

$2 Connors


I will pay no more than two dollars on a book by Ralph Connor. This policy has stood me well. To date, my Connor collection consists of eighteen volumes – nearly all first editions – purchased at a total cost of thirty dollars and fifty cents.

This 1901 Westminster copy of The Man from Glengarry is the oldest. One bookseller believed it to be a first edition, and hoped that it would bring twenty dollars. Perhaps it did. I rescued it from a pile of books considered too damaged to be sold in a Friends of St Marys Public Library book sale.


The very first Connor I ever bought is this Triangle edition of The Runner, his 1929 novel of the War of 1812. The only one to have a dust jacket, I was won over by the publisher's description. 

I found this 1917 McClelland, Goodchild & Stewart edition of The Major at an outdoor bookstall in London, Ontario. It's in pretty rough shape, but at one dollar I couldn't resist. Besides, it was about to rain.

Imagine my surprise in discovering this inscription after returning home:

I bought this copy of The Prospector for two dollars from a bookseller who knew it was signed. He'd given up on his dreams of making $9.95... or even $5.00. 


Beautiful penmanship, don't you think?

You too can own a signed Connor! They can be purchased online for as little as US$12.00.

Too dear for me.

I began this piece forgetting that I'd mentioned my $2 Connor policy in a 2016 review of The Man from Glengarry. At the time, my collection consisted of sixteen titles. In the six years that have followed that number has grown by only two.

Has inflation taken its toll? Is two dollars now too low? Should be I raising my cut-off to three dollars? Four?

What think you?