12 May 2023

That Only a Mother: The Best of the Best



'That Only a Mother'
The Best of Judith Merril
Judith Merril
New York: Warner, 1976
254 pages

The Best of Judith Merril sees an anthologist anthologized. Consisting of nine short stories and two poems, the cover suggests that the selection was made by Merril herself; friend Virginia Kidd provides the introduction and notes.

The first story is "That Only a Mother." Judith Merril's greatest hit. By my count, it has appeared in more than three dozen anthologies. Curiously, its status is downplayed in Kidd's short introductory note:  

A buried newspaper item on Army denial and post-Hiroshima rumors engendered Merril's first sf story. ("Even in those days some of us automatically read certain kinds of official U.S. releases backwards.") John Campbell bought it for Astounding — October, 1948.
In fact, the story first appeared in the magazine's June issue.


In 1948, Merril herself was like something out of science fiction. She was the only woman included in the the June issue. I've gone through dozens of previous issues without finding another female contributor. Here's how Astounding – more accurately,  Astounding Science Fiction - presented Merril's story:


From start to finish, 'That Only a Mother' is an uncomfortable read. It begins with main character Margaret reaching across her bed to "where Hank should have been." Husband Hank has been absent many months. There's a war going on. Hank's not cannon fodder; he's a cog in the military industrial complex. 

Margaret is pregnant. Her mother sends letters via "facsimile machine" expressing concern: "I'm thrilled, of course, but, well, one hates to mention theses things, but are you certain the doctor was right? Hank's been around all that uranium or whatever it is all these years..."

Margaret's mother's worries are understandable. The year is 1953 and malformed infants are an issue. Infanticide is common. Margaret and Hank's baby arrives early. The hospital assures that all is well, though staff won't let the mother or father see their child. Margaret and Hank name her Harriette.


Margaret's mother never visits; she makes no effort to see her grandchild. Hank isn't granted leave until ten months after the baby's birth, by which time she speaks fluently and has begun questioning her mother.

Margaret, Hank, and Harriett form a nuclear family, but not as Bronisław Malinowski imagined.

I read the other stories and poems in The Best of Judith Merril, but not one was nearly so good as this. 

If you have nothing more than a half-hour to spare, 'That Only a Mother' is the story for you.

If you have a few hours, the best of Judith Merril is Shadow on the Hearth, her first novel. 

It too is about a mother.

Object: A mass market paperback original. The text is followed by a two-page advert for twenty-four other Warner science fiction, including The Frankenstein Factory, The Dracula Tape, When Worlds Collide, and After Worlds Collide (each twice mentioned).

American illustrator Gray Morrow, whom I remember as a co-creator of Man-Thing, provided the cover art. Much as I admire the artist's technique, I can't help but note that it in no way reflects the contents.

Access: The Toronto Public Library, which houses the Merril Collection of Science Fiction, Speculation and Fantasy, has a copy. The book can also be found at Library and Archives Canada and in nine of our academic libraries. 

I count two printings, which is not to suggest that it can be found on the cheap. A Michigan bookseller offers a copy online at US$6.00, but wants US$25.00 for postage and handling. Prices really take off after that. In the stratosphere, you'll find a US$107.50 copy requiring US$33.00 shipping.


2 comments:

  1. There were a number of women contributors, even to ASTOUNDING as edited by John W. Campbell; among the most prolific contemporaries of Merril in ASF were C(atherine) L. Moore and Katherine MacLean; hugely prolific sf writer Leight Brackett mostly published in other magazines, but dropped a story or so into ASTOUNDING as well. There were others, such as Margaret St. Clair, who never bothered to try to place stories with ASF...and there was a large influx of at least occasional women sf writers in the '50s magazines (and later), compared to the relative smattering in the previous decade. Merril was the most prolific (in sf) female member of the social/fannish group of aspiring writers and editors, the Futurians, which also included Doris Baumgardt (occasional fiction-writer, reporter, editor) and Virginia Kidd (agent, editor, Very occasional fiction-writer, and author of letter, in the letter column, to the pre-Campbell 1934 ASTOUNDING). And Frederik Pohl, Damon Knight, Isaac Asimov, C. M. Kornbluth, James Blish, Robert Lowndes, Donald A. Wollheim, and a number of others...

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    1. Apologies. I posted on my housemate's computer, w/o logging on as myself, above.

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