24 August 2010

No Belly Band Brings Bare Bum Book Ban



First it was the seals, then all those stories about the tar sands, now we have to deal with the disgrace that is British Columbia Ferry Services Inc., laid out for the world to see in the pages of The Guardian and The New Yorker. Goodness, could they not have seen it coming?

Or am I being too harsh? Perhaps the real blame lies with the prissy, prudish people running the corporation's Passages Gift Shops. You know, that area of the ferry devoted to those who'd rather shop for an Orca figurine than take advantage of the opportunity to see the real thing.

"Passages Gift Shops are uniquely West Coast in feel and theme", their website tells us. "The aim is to provide a unique West Coast shopping experience." How do they do it? Just how are they able to offer a unique West Coast shopping experience? Well, one way is by refusing to sell The Golden Mean, the acclaimed first novel by BC native Annabel Lyon. Seems such a curious decision; after all the book hit the bestseller lists, was nominated for both the GG and the Giller, won the Rogers Writers' Trust, and is now garnering rave reviews in the UK. What gives?

As BC Ferries spokeswoman Deborah Marshall explains, it's all about that bum on the cover: "Because we're obviously a 'family show' and we've got children in our gift shops, we had suggested we could carry the book if there's what's called a 'belly band,' wrap around the photo."

Can't say I've ever thought of those trips to Vancouver Island as a "show", family or otherwise. Never once felt tempted to walk out half-way through.

Update: No news to report – international ridicule has not encouraged Passages to revisit its boneheaded decision. In place of their mea culpa, I present the British and American editions of The Golden Mean.


That's the American one on the right. Apparently, being a #1 Canadian bestseller doesn't carry quite the same cachet it does across the pond.

20 August 2010

The Final Indignity



Further to yesterday's post:

Monarch was captured and brought to San Francisco in 1889 as part of a publicity stunt for William Randolph Hearst's Examiner, the "Monarch of the Dailies". His first four years in the city were spent in a cramped cage at an amusement park; it wasn't until 1894 that he was lowered into that concrete pit at Golden Gate Park. The bear lived over 22 years in captivity. After he died, Monarch was stuffed and mounted, and became part of a diorama replicating California's flag.


Today, the Bear Flag Republic has no bears, but you can still see Monarch – or what's left of him – at the California Academy of Sciences. Take the kids!

I wonder whether Delaware has a similar display for their flag.


Related posts:
Six More Cinders in the Eye
Magic Mushrooms and Bad, Bad Boys

19 August 2010

Six More Cinders in the Eye



It wasn't until reading up on
Bannertail that I learned of Japan's attraction to things Seton. This pales beside the idolization of our beloved Anne Shirley, of course, but it is out there... and has been for some time. Manga adaptations go back to the years preceding the Second World War; there's even a biography of the man, illustrated by the very talented Jiro Taniguchi. Anyone looking for further evidence that the Seton name holds weight in Japan need only consider the title of that horrendous cartoon featured in the previous post: Seton Animal Chronicles: Banner the Squirrel. It was just one of three Japanese animated series based on Seton's work.

The first, Seton Animal Chronicles: Jacky the Bearcub, was inspired by Monarch, the Big Bear of Tallac, a novella published by Charles Scribner's Sons in 1904. It's about a... Oh, why not let Seton's images carry the story.

Jacky, a bear cub, is orphaned after a hunter shoots his mother in the brain.


He's adopted by the hunter, who takes delight in his antics.


Jacky's sold to a crazy rancher who keeps him in chains.


He grows into adulthood, escapes, and feasts on lamb.


Shepherds fear Jacky, who they refer to as Monarch.


The hunter who adopted Jacky/Monarch all those years ago fails to capture him.


A second attempt is successful. The bear ends his days in captivity at Golden Gate Park, "seeking forever Freedom's Blue, seeking and raging
– raging and seeking – back and forth, forever – in vain."


Monarch – or Jacky, if you prefer – did exist; that's him above. Though Seton took some liberties with the story of his early life, the bear lived his final years in a concrete pit, just as the author describes.

Everything is happier in Seton Animal Chronicles: Jacky the Bearcub because the bear never grows up. His fun filled days are spent with sister Jill, a Native American boy named Lan, and Lan's Grandpa Rocky (best not to dwell upon the incident in which Rocky killed Jacky and Jill's mother).



That third animated Seton series? Well, it appears to have been a grab bag of Seton stories, including a retelling of Monarch, the Big Bear of Tallac. The animation, a touch more sophisticated, depicts the author communing with his cartoon pals.


An aside: Remember that Miami bookseller who was selling all those print on demand copies of Bannertail? Well, he's listed a POD copy of Monarch, the Big Bear of Tallac at US$145.95. "Perfect Condition", he claims. I recommend the 106-year-old first edition, which is readily available for less than US$20.

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