Why You Shouldn't Feel Bad about the 100 Novels That Make You Proud to Be Canadian List (and why the CBC should)

"Depressing how few of these I've read," writes a friend. Minutes later, others begin chiming in with similar sentiment… and the list is shared. Such is the power of Facebook. The grey gloom generator is CBC Books' "100 NOVELS THAT MAKE YOU PROUD TO BE A CANADIAN".

Novels that make me proud to be Canadian? Do I really need help? After eight years of Harper Government™ rule, perhaps I do. But this isn't going to do it:

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A remarkably democratic list, is it not?  No author is represented more than once except Margaret Atwood because… oh, I don't know… because she's Margaret Atwood? That fifty titles are by women and fifty are by men is, I am certain, no happy accident. Modest effort has been made toward regional balance, and the Canadian mosaic appears well in evidence – that is, until one realizes that there are only six French-language titles.

Six? And not one is The Tin Flute. What gives? The list's all too brief introduction may provide an explanation:

I see. Canada has a wealth of writers, and they're telling today's tales, and they're revisiting our past.

So, it's contemporary writers only then. Got it.

But wait, what's Hugh MacLennan doing on the list? And Robertson Davies? And Mordecai Richler? And Carol Shields? They're not "telling today's tales." Hell, Stephen Leacock is so long dead that his books have been in the public domain for nearly two decades.

(About the "novels are all in print" bit: Was that a criteria? Could this explain Margaret Millar's absence?)

Eaton's, Montreal, 1947

For anyone considering "everything from cultural impact and critical reception to reader response", The Tin Flute is an inescapable add. Such was the acclaim that the Toronto Eaton's – the Toronto Eaton's –advertised and sold the book in French. It won a Governor General's Award and the Prix Femina. It has been published in fourteen languages, adapted to film, is taught across the country and has never gone out of print. Go ahead, name another novel that has had greater cultural impact, name one that had greater reader response.

How about Anne of Green Gables?

Anne of Green Gables isn't on the list.

The muddled became muddied when guest host Suhana Meharchand opened discussion about the list on Cross Country Checkup. Forget all that stuff about  novels to make you feel proud, this was now "100 must-read Canadian novels", a list of "great Canadian novels" through which one would "become an expert in Canadian fiction [emphasis mine]". Ms Meharchand was then joined by CBC Books producer Erin Balser who revealed it to be nothing more than a list of 100 Canadian novels some CBC producers think everyone should read. She went on to say that the goal was to present "a balance of classic and contemporary books because we wanted to represent the whole history of Canadian literature."

If we're to consider novels written by those who "call or once called Canada home", the first up is Frances Brooke's The History of Emily Montague. It was published in 1769, one hundred and forty-three years before Sunshine Sketches of a Little Town, the oldest book on the list. A further thirty-three years pass before we encounter another.

Ms Balser's words to the contrary, there is no "balance of classic and contemporary". Over half the books on the list were published between 2000 and 2013 (there are no titles from 2014). Seventy-nine of the books were published in the last twenty years. Eight of the books were published in 2009 alone, more than the 'sixties and 'seventies combined.

"We all know that readers love lists," enthused Suhana Meharchand. True enough. Here's mine:

SIX NOVELISTS WHO "CALL OR ONCE CALLED CANADA HOME" NOT FOUND ON THE 100 NOVELS LIST

Saul Bellow

Mavis Gallant

Malcolm Lowry

Antonine Maillet

Brian Moore 

Gabrielle Roy

It was hoped that "100 NOVELS THAT MAKE YOU PROUD TO BE A CANADIAN" would "start a dialogue in this country", but this list is another opportunity wasted. Messy and poorly presented, it is nothing more than a grab bag of recent novels peppered with a few CanLit course mainstays. Predictably, for this is today's CBC, most of the Giller and Canada Reads winners are included.

For the record, I've read nineteen of the hundred.

That number doesn't depress me in the least.

An explanation (of sorts):

There's actually two Margaret Atwood novels. The second one is Handmaid's Tale [sic]. So there are only two because we felt there should only be two – even though we all love Margaret Atwood deeply.

– Erin Balser, Cross Country Checkup, 29 June 2014

Errata: A sharp-eyed reader points out that Joseph Boyden also has two titles on the list. Thank you, Edith!

Related posts:

CBC's Awful List, Radio-Canada's Disheartening List

and Perhaps the Best Book List I've Ever Seen

On the Disgrace That is CBC Books' 100 Young Adult Books That Make You Proud to Be Canadian

Canada's 100 Best Books? 102? 110?

Brian Moore's Canada for Americans – and isn't that Leonard Cohen?

Canada
Brian Moore and the Editors of LIFE
New York: Time, 1963

The LIFE World Library was once found in every third suburban rec room and on one of ten coffee tables. That's what I remember, anyway. Now you can't give them away.

There were thirty-two volumes in all, but Canada is the only one I own. I paid $1.50 – entirely too much – at a Toronto Goodwill fourteen years ago, and have been moving it about the country ever since. Until yesterday, it was one of only two Brian Moore titles I hadn't read; today Murder in Majorca stands alone.

Canada is an odd duck. It's Moore's only non-fiction book and his only collaboration. Just who are those "Editors of LIFE"? One was Oliver E. Allen, who would one day garner praise for New York, New York: A History of the World's Most Exhilarating City and The Tiger: The Rise and Fall of Tammany Hall.

Knowing that the Library was sold throughout the anglosphere, and was translated into French, German, Dutch and Spanish, I was surprised to see the extent to which Canada is tailored toward American readers. The Introduction is written by Livingston T. Merchant, former U.S. Ambassador to Canada (1956-58). "For most of us in the United States, Canada is not really a foreign country", writes the diplomat. "And failure to grasp the simple fact accounts for much of the difficulty which growingly attends our relationship." So it is that in Ambassador Merchant's opinion, the book provides a "needed service".

This all sounds dry, but isn't because Moore is a real pro. For evidence, look no further than his chapter on Canadian history: Lief Erikson to Lester Pearson in under 4500 words and he still finds space for the Fenian Raids.

Each volume in the series had a history chapter; it's in the others that Moore really shines. His writing on Quebec, not yet three years into the Quiet Revolution, is as much about how the province is (or was) as how it will be (or is). A chapter on post-war immigration draws on his own experiences and includes this horribly accurate description: "The cities split at their extremities, disgorging long, untidy entrails of new concrete factories, shopping centers and suburban office blocks."

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No chapter is more surprising than "Clubmen and the Other Club", which begins:

There is no such person as Stewart Henderson McMaster, yet he is easily invented. Almost certainly his name will have a Scottish ring. He is English on his mother's side, and his wife, the granddaughter of an Anglican bishop, is also of English descent. He is director of two or more of Canada's dominant business corporations, a university governor, an executive member of the Canadian Manufacturers' Association and the Canadian Chamber of Commerce. He sits on the board of more than a dozen charitable institutions.

Moore's "Other Club", composed of members of the intellectual class, is personified by clergyman's son "Gordon Bruce Howard",  a Rhodes scholar who sipped sherry at Oxford with "the brightest minds from all over the British Commonwealth". Although Moore doesn't say, Gordie Howard is just the sort of who would have visited Montreal's Hostellerie, where drink flowed freely and sweaters were bulky.

Canada includes three images of the café. This shot appears to capture a twenty-something Leonard Cohen.

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That's him on the far right, right?

Being a LIFE book, there are photos aplenty. My favourite is this oddly unsettling image of Mme Edmond-Louis Simard and family of Bagotville.

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More than a half-century later, this photograph of hydro workers in Kitimat looks like something from the future.

I'd never seen this photograph of Hugh MacLennan, whom Moore describes as "the only serious novelist of the 1940s".

And here's Morley Callaghan, "for many years a neglected oddity in his native city."

Meanwhile, Harold Town and Tom Onley adopt the painter's pose.

A chicken in every pot and a Moore in every home. Not quite, but it is nice to think that they were once so common. I wonder how many were read. Or did people just look at the pictures?

Did they even do that?

Trivia: Moore wasn't the only name recruited by LIFE. Hammond Innes provided a volume on Scandinavia. Elizabeth Bishop got paid US$10,000 (over US$75,000 today) for her volume on Brazil.

Object: A 160-page hardcover, featuring 104 photographs, six paintings, four illustrations and three maps (four with the endpapers). Loads of copies are available online; pay no more than one dollar. Goodhearted souls who volunteer at library book sales may snag a copy en route to being pulped.

Easily found in academic libraries; less so in public libraries.

Patriotic Verse from the Garden of a Girl's Dreams

For this day, the 147th anniversary of the birth of the Dominion of Canada, patriotic verse by the ever-charming Ethel Ursula Foran. A piece of juvenilia, it leads off Poems: A Few Blossoms from the Garden of My Dreams, her debut collection of "immature verses", published in 1922 by Librarie Beauchemin. "With all their imperfections they must remain just as they were composed", Miss Foran writes in the Preface. In accordance with her wishes, the poem is presented here with typos and misspellings intact.

CANADA 

I love this fair Dominion; my natvie land, all hail!
Its wondrous proportions are on the grandest scale;
Its endless virgin forests, its mighty inland seas,
Its Rockies and its Selkirks, like Alps and Pyranees;
Its vast expanse of prairies, where vision seeks in vain
The limits of the billowy fields of undulating grain;
Its rivers with their volumes, in their majestic sweep,
Through miles of fertile country down to Atlantic's deep;
Its cascades and the thunders of Niagara's giant fall;
The echoes of its vastness that from sea to mountains call;
Its Liberties as precious as the features that we trace,
Its blending of all elements of province, creed and race;
Its every noble aspect that God has pronounced "good,"
'Tis a marvellous mosaic of Canadian nationhood.
Yes, I love this fair Dominion, the grandest land on earth,
'Tis the land of a bright future, and the dear land of my birth.

Related posts:

A 123-Year-Old Poem for Canada Day

Two Hurrahs for the New Dominion

Charles G.D. Roberts' Dominion Day Collect

Immoral Music for a Monday Morning

Pure filth condemned by John Wesley's White in Re-entry (1970), his forty-four-year-old book on Christ's imminent return. Writes Dr White:

Tops of the pops like, "Have you [sic] Got Cheating on Your Mind," "Second Time Around," "Strangers in the Night," and the Rolling Stones' "Let's Spent the Night Together" are deliberately written and sung to promote immorality.

The Oxford PhD has never been very good with titles. I'm sure that by "Have you Got Cheating on Your Mind" he means "Woman, Woman", the Jim Glaser/Jimmy Payne song, which was a hit for Gary Puckett and the Union Gap. But isn't the song about being faithful? Was it really "written and sung to promote immorality"? You tell me.

A #1 single in Canada, "Woman, Woman" did indeed top the pops, but what about "Second Time Around"? Sure, the song was nominated for an Academy Award, but in the words of Frank Sinatra it "never got off the ground". Old Blue Eyes thought it should be a standard and recorded it a number of times, but it was first sung by depraved Bing Crosby in High Times (1960).

The words and music were written by the debauched duo of Sammy Cahn and Jimmy Van Heusen, who are best remembered for obscenities like "High Hopes", "Come Fly with Me" and, of course, "Love and Marriage".

Sinatra bears much of the blame for "Strangers in the Night", which on 2 July 1966 topped the Billboard Hot 100 by bumping off "Paperback Writer". This video captures the singer sixteen years later in performance before an audience of reprobates:

And finally we have the Rolling Stones. Once the most licentious and lewd of all rock and roll combos, they redeemed themselves with this famous performance on The Ed Sullivan Show:

Dr White should recognize.

Related posts:

The Oxford PhD Rambles On

Songs for Sunday Suggested by John Wesley White