Emily Mernin's article "Montreal Noir, from Passion to Print" has been up on the Read Quebec site for some days now. It's a very nice piece on Véhicule Press, its Ricochet Books imprint, and efforts to return post-war pulps to print. I've been remiss in not sharing. You'll find it through this link.
The penultimate paragraph reveals something:
Two of Ricochet’s forthcoming books, much to Busby’s excitement, will be firsts for the imprint: Perilous Passage takes place on the west coast, while another is set between both Toronto and Montreal.It's true!
As for the unnamed title to follow – "set between both Toronto and Montreal" – I'm not about to reveal.
"One Day's Courtship" first saw print in syndication; The Detroit Free Press, for which the author had once worked, was one of the newspapers that paid for the privilege. Set in nineteenth-century Quebec, the novella starts out as social commentary, moves to adventure, and ends as a love story. Jac Mars' illustration, which first appeared in the April 1962 edition of Woman's Realm, has nothing to do with Barr's story. There are no embraces, but one can imagine. My wife, a thirty-year veteran of the fashion industry, informs that the clothing is all wrong, and finds equal fault in Prince Classics' bind-up of "One Days Courtship" and Barr's 1894 novel In the Midst of Alarms:
I remind that In the Midst of Alarms is set in 1866 and concerns the Fenian Raids across the Niagara River into what is today southern Ontario.
No zebras figure.
With her marriage to womaniser Carlo Landi (Rossano Brazzi) in ashes, wealthy and childless Margaret Landi (Joan Crawford) finds an emotional outlet in patronizing a 15-year-old deaf, dumb, and blind Irish girl named Esther Costello (Heather Sears). Esther's disabilities are the result of a childhood trauma and are psychosomatic rather than physical. As Costello makes progress with Braille and sign language, she is seen as an example of triumph over adversity. Carlo gets wind of Margaret's new life and re-enters the scene. He views Esther as a source of cheap financial gain and arranges a series of exploitative tours for her under a mercenary manager Frank Wenzel (Ron Randell). One day when Margaret is absent from the Landi apartment, Carlo seduces and rapes the now 16-year-old Esther. The shock restores the girl's sight and hearing. When Margaret learns of her husband's business duplicities and the rape, she consigns Esther to the care of a priest and a young reporter who loves her (Lee Patterson). Margaret then kills Carlo and herself.Good God.
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| The Vancouver Sun 4 December 1957 |
* My thanks to Jim Stephenson for identifying the Avati painting. Thanks also to my old pal Chris Kelly, who suggested the former had been used to illustrate a book titled Backstage: My Life with Clarence Darrow, the Amnesiac, and the Red Ladder. Coffee up my nose.
Novellas both, "One Day's Courtship" and "The Herald's of Fame" were first gathered for book publication with a third tale, "From Whose Bourne." That the resulting volume was titled From Whose Bourne, etc. says much, I think.
"From Whose Bourne" is one of the earliest attempts at marrying the supernatural with what was then the emerging mystery genre. In the story, the spirit of a murdered man, William Brenton, follows the investigation of his widow, Alice, who is accused of having committed the crime.
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| From Whose Bourne, etc. Robert Barr London: Chatto & Windus, 1893 |
"One Day's Courtship" and "The Heralds of Fame" are lighter fare and aren't nearly so groundbreaking. Both are woven from tired worn threads we continue to today in today's romantic comedies. Each relies heavily on coincidence and unfortunate misunderstandings. Neither is recommended, though both may appeal to those interested in nineteenth-century depictions of artistic and literary life. Lovers of rom coms will find more satisfaction with Netflix.
"One Day's Courtship" concerns landscape painter John Trenton, who returns to Shawinigan Falls – "Shawenegan Falls" in all editions – with the intent of capturing its beauty on canvas. He was first made aware of the natural wonder through a letter sent by an admirer and lesser talent.
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| Shawinigan Falls, 1904 |
As it will turn out – I spoil things a bit here – that letter came from a young woman named Eva Sommerton. A very pretty, very wealthy American, Miss Sommerton has hired a canoe and crew to take her to the falls. Owing to a comical mix-up, John Trenton has hired that very same canoe and crew. Each thinks the other the interloper! What's more, neither knows the identity of the other!
You can imagine to possibilities.
"The Herald's of Fame" is lighter still, though I enjoyed it more. It's hero, Kenan Buel, is a young Englishman with two published novels under his belt. Neither did all that well, so it comes as some surprise when American publisher L.F. Brant expresses interest in his third. Brant reads the proofs when visiting Buel's London publisher and pays £20 for the American rights. Because he'd entered negotiations with the expectation of paying £100, Brant gives the author the difference.
It's all too wonderful. Buel now has more money than he's ever had, and so accepts his American publisher's invitation to visit New York. At the dock, the novelist enters W.H. Smith and Sons, where he spies a young woman looking over the "New Books" shelf. She hesitates over Buel's latest before settling on a title written by our hero's idol, the great novelist J Lawless Hodden. Owing to a comical mix-up, that young woman – a very pretty, very wealthy American named Caroline Jessop – finds herself with a copy of Buel's new novel.
Buel himself ends up sharing his ship's cabin with none other than J Lawless Hodden. The latter proves a mean, cheap, and deceitful bastard, and pretends that he paid for a private cabin. Miss Jessop, who just happens to be in the neighbouring suite, overhears the conflict and clasps her hands together in glee at the drama of it all. Of a sudden, Hodden, whose work she'd admired, is out; Buel is her new favourite. And so begins the flirtation.
I found this exchange between Miss Jessop and Mr Buel clever:
“I only wish I could write. Then I would let you know what I think of you.”“Oh, don’t publish a book about us. I wouldn’t like to see war between the two countries.”Miss Jessop laughed merrily for so belligerent a person.“War?” she cried. “I hope yet to see an American army camped in London.”“If that is your desire, you can see it any day in summer. You will find them tenting out at the Metropole and all the expensive hotels. I bivouacked with an invader there some weeks ago, and he was enduring the rigours of camp life with great fortitude, mitigating his trials with unlimited champagne.’’“Why, Mr. Buel,” cried the girl admiringly, “you’re beginning to talk just like an American yourself.”“Oh, now, you are trying to make me conceited.”Miss Jessop sighed, and shook her head.“I had nearly forgotten,” she said, “that I despised you. I remember now why I began to walk with you. It was not to talk frivolously, but to show you the depth of my contempt! Since yesterday you have gone down in my estimation from 190 to 56.”“Fahrenheit?”“No, that was a Wall Street quotation. Your stock has ‘slumped,’ as we say on the Street.”“Now you are talking Latin, or worse, for I can understand a little Latin.”
Object: A very attractive book with frontispiece by Edmund Frederick (above). Following the two novellas, the publisher tacks on five pages of adverts. The earliest are the most interesting, but only because of the series title:
The twentieth century, then several years in the future, didn't treat any of the titles well. Robert Barr's In the Midst of Alarms, a semi-comic novel of the Fenian Raids, saw no editions in the twentieth century. The same is true for his short story collection The Face and the Mask, despite high praise from Arthur Conan Doyle. The other books are unfamiliar – even the Ouida – but I'd buy I Married a Wife for the title alone. The author's name is a bonus.
My copy was purchased earlier this year from a bookseller in Florida. Price: US$9.95.
Access: Copies of One Day's Courtship and The Heralds of Fame can be found at Library and Archives Canada, the Canadian Museum of History, Bibliothèque et Archives nationales du Québec, and thirty-three of our academic libraries.
No copies are listed for sale online.
My edition can be read through this link thanks to the good folks at the Thomas Fisher Library and the Internet Archive.
