My newest acquisition:
Maria Monk's Daughter: An Autobiography
Mrs. L. St. John Eckel
New York:
Published for the Author by the United States Publishing Company
1874
God bless us, every one!
A JOURNEY THROUGH CANADA'S FORGOTTEN, NEGLECTED AND SUPPRESSED WRITING
"I'm a little boy, ain't I?"The early years are the easiest, with poor, damaged Lucy living off her husband's life insurance. When the money runs out, she turns to shoplifting. Lucy's luck ends on 24 December 1904, when she is caught lifting a pair of fur-lined mittens that Tom had hoped would be his Christmas gift. The boy spends Christmas Eve in a children's home. The next morning he learns that his "mudda" has suffered a painful death by downing cyanide.
"Yes, you're a little boy, but you should have been a little girl. It was a little girl I wanted."
Honey never pawed him, as the masters often pawed the boys, and the boys pawed one another. He never threw an arm across his shoulder, or call him by a more endearing name than Kiddy. Apart from an eagle-eyed solicitude, he never manifested tenderness, nor asked for it.Object: A 485-page hardcover bound in green cloth with gilt lettering. I bought my copy – signed, of course – from a New York City bookseller late last year. Price: US$43.86. I'm blaming the missing jacket on Cousin Ida.
For Maimie's Sake – Grant Allen
Vanish in an Instant – Margaret Millar
A Stranger and Afraid – Marika Robert
from Your Home and Mine
Harold S. Wood
Toronto: Musson, 1932
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Then slowly, painfully slowly, the clutched boughs parted and like some hideously overripe fruit, Leonora Kirsten disengaged from the tree and came plummeting to earth.The grisly scene, hinted at in the Dodd Mead edition, is better captured by the Hammond & Hammond jacket:
BYRON'S GOOSE
(Synopsis)
Comedy in 3 Acts. 2 sets. Cast of 12 (4 principals). Standard playing time. Scene: Vienna and Ravenna in 1822.Byron's final tragicomic relationship with his last mistress 19-year-old Teresa Guiccioli, her eccentric 70-year-old husband, her father and brother (amateur revolutionaries), and his friend Trelawny. His ambitions as lover of Teresa, as would-be liberator of Italy; his involvement in revolutionary, family and social intrigue, climaxed by his cutting himself free of the entanglements of his background and leaving for Greece.The play is tightly knit, with rapid action and with dialogue sparkling with Byron's own special brand of wit, overall tone is one of sophisticated comedy relieved by sentiment and action. Gives a new and sympathetic view of Byron as an aging but far from superannuated figure of romance; of Terasa as a blend of charm, devotion and duplicity; of Count Guiccioli as a fantastic and disreputable old man selling his polite consent to adultery; of Trelawny as an ultra-Byronic hero, adventurous, gloomy, dauntless, a little absurd.Has great possibilities for eventual adaptation as a musical in the same style as 'Camelot'.Complete script will be mailed on request.John Glassco,
FOSTER,
Que., CANADA
I was disappointed in Marika Robert's first novel, A Stranger and Afraid, because here is a talented writer who has wasted a clean, perceptive narrative on a grubby little plot obviously contrived to attract the prurient. The book could have been a disconcertingly vivid examination of the integration of a certain type of sophisticated and irresponsible European immigrant into the democratic way of life of a country chosen, not for any specific reason, but simply because of expediency. Instead it read like a half-heard lewd joke whispered by a schoolgirl.As a war bride, European immigrant Joan Walker had a specific reason.