11 December 2023

Eight Gifts to Last



In past years I've noted gifts and donations to the Dusty Bookcase at the end of the annual list of Ten Best Book Buys. An exception is made here because of the shear volume, and because I wanted to add a personal note. And We Go On seems an appropriate title with which to start.


And We Go On
Will R. Bird
Toronto: Hunter-Rose, 1930

A memoir of the Great War, this first edition was given to me by military historian James Calhoun, with whom I co-authored the introduction to the 2014 Dundurn edition of Peregrine Acland's All Else Is Folly. Note the dust jacket description:
A story of the War by a Private in
the Canadian Black Watch;
a Story Without Filth
or Favour.
Bird's memoir was inspired in part by his disgust at the portrayal of soldiers in All Quiet on the Western Front and Generals Die in Bed. He wouldn't have liked All Else Is Folly. 
 

Outlaw Breed
William Byron Mowery
Calabasas, CA: Cutting Edge, 2023

Novelist Lee Greenwood is doing God's work in reviving neglected novels. He reached out three years ago after I reviewed former Vancouver Sun scribe Tom Ardies' 1971 thriller Their Man in the White House. You'd like it. The novel tells the story of an American president who is beholding to the Russians. Oh, and he has an unusual – I suggest unhealthy – relationship with his blonde daughter. Lee was then in the process of returning all Ardies' novels to print.

Outlaw Breed is not a political thriller. First published in 1936 under the title Black Automatic, it was written by a Buckeye known as the "Zane Grey of the Canadian Northwest." Starring Noel Irving, ex-RCMP, the action begins with a murder in Winnipeg, moves on to Fort McMurray, and then the Northwest Territories.


The Woman's Harvest
Anna Floyd
London: T. Werner Laurie, 1916

An obscure novel by a forgotten English writer, set in England in and around the time of the Great War, The Woman's Harvest has nothing whatsoever to do with Canada, yet I was drawn to it after reading Brad Bigelow's Neglected Books review. I just had to read it, but not a one was listed for sale online. Worse still, the nearest copy is found in the National Library of Scotland. Brad was generous in giving me his. I'll say no more because Brad's review says it all. You'll want to read it, too.
 

Canada Speaks of Britain
and Other Poems of the War
Charles G.D. Roberts
Toronto: Ryerson, 1941

The River St. John and Its Poets
L.M.B. Maxwell
[n.p.]: [n.p], 1946

Two chapbooks donated by my friend Forrest Pass. The earlier, Sir Charles' Canada Speaks of Britain features seven "Poems of the War" (including 'Peace With Dishonour,' which was actually composed in September, 1938), along with three poems from the previous war, and three more poems thrown in for good measure. The longest in the collection is 'Two Rivers':
                     Two rivers are there in hold my heart
                          And neither would I leave.
                     When I would stay with one two long
                          The other tugs my sleeve.
The two rivers are the Tantamar and the St. John, which ties in nicely to The River St. John and Its Poets by L.M.B. Maxwell, LL.D. It consists of a series of biographical sketches and sample poems of sixteen poets, including Sir Charles G.D. Roberts, LL.D., D. Litt.; Theodore Goodrich Roberts, D. Litt.; William Bliss Carman, M.A., LL. D.; and Alfred Goldsworthy Bailey, M.A., Ph.D. I was more interested in plain old Francis Sherman, Charles Boyle, and Elizabeth Roberts MacDonald, whose home I visited last autumn.
 

The Complete Adventures of Jimmie Dale, Volume Three
Frank L. Packard
[n.p.]: [n.p], 2022

The final volume of Packard scholar Michael Howard's annotated compilation of Packard's Gray Seal novels, this one includes Jimmie Dale and the Blue Envelope Murder (1930), Jimmie Dale and the Missing Hour (1935), and the unfinished and previously unpublished Jimmie Dale's Only Chance. 

But wait, there's more!

Also included are four chapters that were cut from The Further Adventures of Jimmie Dale (1919), the script for the first episode of the radio serial The Adventures of Jimmie Dale, the beginning of the British edition of The Adventures of Jimmie Dale (in which our hero is an Englishman), and a family biography by the late Francis Lucius Packard.  

The author's grandson, Jeffrey Packard, provides the preface. 

All three volumes can be ordered through Amazon.


One last  gift:


Self Condemned
Wyndham Lewis
Toronto: Dundurn, 2010

My friend Michael Gnarowski died on July 27th of this year. He'd taught at three universities, one of which I attended, but I was not one students. Still, I learned a great deal from Michael. We first met twenty years ago when I was working on my biography of of his friend John Glassco, that great practitioner of deceit. He and I were dogged in our pursuit of "the knowable truth." 

Our last days together started over pints in an Ottawa strip mall pub – the fish and chips wasn't terrible – after which we'd move on to apple pie and vanilla ice cream at the flat he shared with his wife Diana. In our second to last meeting, Michael pulled out this slightly battered copy Self Condemned, asking whether I had a copy.

I lied.

This edition is a Voyageur Classic, a series that followed the Carleton Library and the Centre for Editing Early Canadian Texts series, all of which Michael had overseen. I'd bought each Voyageur Classic upon release, and was honoured when he accepted my proposal to include All Else Is Folly (see above) in the series.

And so, because I lied, I was able to accept his generosity. Michael signed my copy, explaining that his writing hand would not do what he wanted it to.
 
I last saw Michael on Father's Day, which somehow seems appropriate. He ordered the fish and chips, and then we had pie and ice cream.

17 September 1934, Shanghai, China
July 27, 2023, Ottawa, Canada 
RIP


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04 December 2023

The Ten Best Book Buys of 2023!



With sadness, I report that 2023 was another year in which all my favourite acquisitions were purchased online. This is not to suggest that every transaction was a good one. In March, I won a lot of twelve Marilyn Ross Dark Shadows books, three of which bear the signature of their true author, New Brunswick's W.E.D. Ross. 

My lengthy victory dance came to an abrupt end when they arrived loose in a recycled Amazon box. Most were in poor condition, some featured stamps from used bookstores, and one had a previous owner's name written on its cover. Added to all this was the shipping charge, which far exceeded the amount paid for the books themselves, and was several times greater than what Canada Post had charged the seller.

Had all gone well, this copy of Barnabas, Quentin and the Frightened Bride (New York: Paperback Library, 1970) would've surely made the cut.

Enough negativity! It was a good year!

What follows is 2023's top ten:

In Nature's Workshop
Grant Allen
London: Newnes, 1901

I bought three Grant Allen books this year – the novels This Mortal Coil (1888) and At Market Value (1895) being the others – but this is the one I like the most. The posthumously published second edition, it features over one hundred illustrations by English naturalist Frederick Enock (1845-1916).


Hot Freeze
Martin Brett [Douglas
   Sanderson]
London: Reinhardt, 1954

For years I've been going on about Hot Freeze being the very best of post-war Canadian noir; it was one of the first novels reissued as a Ricochet Book. I was aware that there had been a UK edition, but couldn't find a copy with dust jacket.

Found it!
Hilary Randall: The Story
   of The Town
Horace Brown
Toronto: Voyageur, [n.d.]

While working to return Brown's 1947 novel Whispering City to print, I learned that Saturday Night editor B.K. Sandwell had thought Hilary Randall just might be the great Canadian novel. Self-published roughly four decades after its composition, my copy is inscribed!

Wedded for a Week; or, The
   Unseen Bridegroom
May Agnes Fleming
London: Milner, [n.d.]

As with Grant Allen, I can't let a year go by without adding more Fleming to my collection. The Actress' Daughter was the first, but I much prefer this 1881 novel, if only for its two titles.

Writing this I realize that I haven't read a Fleming in 2023. 

A Self-Made Thief
Hulbert Footner
London: Literary Press,
   [n.d.]

As my old review of 1930's The Mystery of the Folded Paper suggests, I'm not much of a Footner fan, Still, at £4, this last-minute addition to a large order placed with a UK bookseller seemed a bargain. The dust jacket illustration, which I hadn't seen, is unique to this edition.

Pagan Love
John Murray Gibbon
Toronto: McClelland &
   Stewart, 1922

Had I not read this novel, it's unlikely this wouldn't have made the list. Pagan Love entertained at every turn as a take-down of the burgeoning self-help industry and corporate propaganda. Odd for a man who spent most of his working life writing copy for the CPR.

Dove Cottage
Jan Hilliard [Hilda Kay
   Grant]
London: Abelard-Schulman,
   1958

There are books that grow on you. Reviewing Dove Cottage this past March I likened it to an enjoyable afternoon of community theatre, but it has remained with me in a way that the local real estate agent's performance as George Gibbs has not.

Three Dozen Sonnets &
   Fast Drawings
Bob McGee
Montreal: Véhicule, 1973

This year marked the fiftieth anniversary of Véhicule Press. Three Dozen Sonnets & Fast Drawings was the press's very first book. A pristine copy with errata slip, it appeared to have been unread.

No longer.

Awful Disclosures of Maria
   Monk
Maria Monk
New York: Howe & Bates,
   1836

A first edition copy of the text that launched an industry. Not in the best condition, but after 187 years, much of it being pawed over by anti-papist zealots, what can one expect.

My work on the Maria Monk hoax continues. 


Crimes: or, I'm Sorry Sir,
   But We Do Not Sell
   Handguns to Junkies
Vicar Vicars [Ted Mann]
Vancouver: Pulp, 1973

As far as I know, Crimes is Ted Mann's only book. When published, he was an editor at National Lampoon. The Bombardier Guide to Canadian Authors was in his future, as were NYPD Blue, Deadwood. and Homeland.


What to expect next year? More Allen and Fleming, I'm betting.  Basil King seems likely.



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30 November 2023

Celebrating John Metcalf at 85


This past Saturday, I joined a pubfull of people – yes, a pubfull – in downtown Ottawa to celebrate John Metcalf's 85th birthday. It was a glorious event with David O'Meara serving as host and Biblioasis publisher Dan Wells as MC. The fête began with Lisa Alward reading from 'Cocktail,' the title story of her newly published debut collection. Mark Anthony Jarman followed with 'Burn Man on a Texas Porch' from Burn Man: Selected Stories, also newly published. We were then treated to two passages from 'A Pearl of Great Price,' a new story by the man himself.

'Happy Birthday' was sung. There was cake!


What with Covid and geography, it had been some time since I'd last seen John Metcalf. I brought The Museum at the End of the World (2016) and The Worst Truth (2022) for him to sign. The latter is a 61-page review of David Staines' A History of Canadian Fiction, a book I myself had read for the Dorchester Review. 'What Is A Canadian Fiction?', the title of my much shorter review is a nod to John's What Is A Canadian Literature (1988).


We exchanged observations and opinions as members of a very small number who had actually read Prof Staines' latest.

At $126.95, I don't expect I'll meet another. 


The Worst Truth: Regarding A History of Canadian Fiction by David Staines can be purchased for eight dollars through this link. 'A Pearl of Great Price' is now available as the ninth number in the Biblioasis Short Fiction Series. Limited to one hundred numbered and signed copies, it is a thing of uncommon beauty.


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20 November 2023

An Alvin Schwartz Cover Cavalcade



Alvin Schwartz's debut novel, The Blowtop, was published in 1946 by Dial Press. It followed dozens of shorter works, including: "His Lordship's Double" (Batman #21), "Superman's Search for Clark Kent" (Superman #32), "The Toughest School in the World" (Superboy #10), and at least eight comic romance stories titled "A Date With Judy" (A Date With Judy #1-3).

I've not read The Blowtop, but it sounds right up my alley:


Le Cinglé, its French translation, was a bestseller overseas.

Le Cinglé
Paris: L'élan, 1950
Schwartz wrote or co-wrote six other novels, all of which were issued as "Sophisticates" by Arco, a publisher previously known for The Handy Manual of House Care and Repair (1949) and How to Win Prize Contests (1950). I've read and written about a couple of Schwartz's Sophisticates, Touchable and Hot Star, but I'm not sure I'll bother with the others. They're becoming increasingly rare, increasingly expensive, and... well, truth be told, those I have tackled haven't been terribly interesting. To be frank, I'd much rather read "The Superwoman of Metropolis!", which Schwartz wrote for Superman's Girl Friend Lois Lane #8.  

Do not be fooled by the publisher's descriptions, Arco Sophisticates promise much more than they deliver: 

Sinful Daughter
New York: Arco, 1951
SINFUL DAUGHTER is different, unlike any book Jack Woodford has ever written. Sabra is the daughter who tries to tear herself away from her mother's wickedness because she fears her own weakness and voluptuous nature. Reared amid scenes of splendor and debauchery, she has never succumbed to temptation. To avoid trouble she submerges herself in mediocrity and through error finally discovers the right way of life for her. A very exciting book.
Touchable
New York: Arco, 1951
From young Arch Rader, Ruth learned of passion. From Blackie Dawson she learned of love. From Mike, the bartender, she learned of bestial lust, and its unexplainable allure. From Tony, the lesbian, she learned of the strange, exotic, frightening fasination of abnormal relations. From Bruno she learned the utter depths of degradation. And from Clare, she learned the terror, the hopeless despair of dope. And at the last, out of this inferno, which had her helpess in its grip, she learned the possibility of redemption... from herself.
City Girl
New York: Arco, 1951
You may know a number of girls in the city, but you've never met anyone like Clio Haven. Never, that is, unless you travelled with the bootlegging set of Prohibition Chicago. Clio was a bootlegger's girl; bootlegging was Clio's security. Then in walked Bob, Logan, and half the Chicago police force to help her change her mind. it would make any girl wonder if it's safe to be desirable.

Sword of Desire
New York: Arco, 1952
Big City corruption and gambling successfully withstand a Senate Committee investigation, until psychiatrist Dr. Varesi's mysterious power works to reveal the secrets of the women involved. The ironic result is as unusual as it is intriguing.
Hot Star
New York: Arco, 1952
Maybe the thing that happened to Betty Frenck could happen to any young actress. She became a star of illegitimate pictures; became, too, a creature of desire and passion, caught in the magical spell of Director Perepoint's talent, and a victim of Producer Kern's contempt for all women. Whatever your opinion of her, you're sure to agree that there's never been a HOT STAR like Betty, either in or out of pictures. 
Man Made
New York: Arco, 1952
Man Maid is a bit of a mystery; all I've ever seen is its cover. 

I like to think that Alvin Schwartz made good money with Arco, but have my doubts. Late in life, he wrote two memoirs, of a kind, which may or may not support my skepticism. The first, An Unlikely Prophet, went through two editions. Originally self-published, the second edition replaces the subtitle and cover to emphasise his work with DC.

An Unlikely Prophet: Revelations on the Path Without Form
[np]: Divina, 1997
An Unlikely Prophet:
A Metaphysical Memoir by the Legendary Writer of Superman and Batman
Rochester, VT: Inner Traditions, 2006

A Gathering of Selves: The Spiritual Journey of the Legendary Writer of Superman and Batman (Rochester, VT: Inner Traditions, 2006) was his last published work.


Alvin Schwartz died five years later. By all accounts, he left this world from his Chesterville home, roughly fifty kilometres southeast of downtown Ottawa. 

Alvin Schwartz
17 November 1919, New York, New York
28 October 2011, Chesterville, Ontario
RIP
Who am I kidding.

Researching this piece, I happened upon a Minnesota bookseller who was selling a lot of twelve "erotic" books at a price that amounts to fifteen dollars apiece. Sword of Desire and Man Maid were two of the twelve.

I bought the twelve for those two.

You knew I would.

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13 November 2023

Dick Tricks Chicks Into Hot Pix!


Hot Star
Robert W. Tracy [Alvin Schwartz]
New York: Arco, 1952
179 pages

Betty and Bob's honeymoon was a disaster, but don't blame the bride. Bob had been burned – their nuptial room didn't even feature a bath – yet he couldn't bring himself to complain to the front desk. The clerk had spotted him as a virgin, and Bob wasn't about to subject himself to further humiliation. Betty too had been a virgin. She'd imagined their wedding night as one of romance, sensuality, and tender passion, only to have her groom become a pouty, demanding man-child:

"I thought when we talked it over you understood – that a man's got to... Oh why can't you be sensible about it, Betty? You – you act as though I'm not your husband. Haven't I got a right after all this waiting? What are you trying to do – torture me more?
There would be no dinner, no dancing, and no time to change into something more comfortable.

Flash forward two weeks. The couple are still married, if not entirely happily. Bob works the assembly line at the Ross Machinery Company, while Betty spends her days keeping their tiny rented home. Her nights are spent warding off Bob's advances – often unsuccessfully – "wondering if that was all sex was; something for a man to enjoy."

Betty's dreams of becoming a professional actress make life somewhat bearable – what's more, it gets her out of the house. Cast as the lead in a community theatre production of Anna, a drama about a boozy floozy, she researches the role by pulling up a stool at a local bar. Lest anything go wrong, Bob sits in the adjoining dining room.

A handsome man in brown gaberdine topcoat buys Betty a highball. Betty is certain he's trying to pick her up, until he introduces himself as Carl Perepoint, a director at Experimental Motion Picture Studios: "You don't mean you are interested in me as-as – Oh, no! I can't believe it."

In fact, Perepoint was trying to pick her up, but Betty's mention of nearby Bob put an end to that.

And what of Bob? What is his dream? Well, he hopes to one day leave the assembly line for a career as a comic strip artist. If anything, this is an even more uncommon occupation than professional actress, but it would've been familiar to Alvin Schwartz, who between 1942 and 1959 wrote for DC Comics. Bizarro Superman was one of his creations.

I make a point in mentioning this because the introduction of Perepoint propels Hot Star along a path in which we find tropes belonging to comics' Golden Age. Consider Experimental Motion Picture Studios, which is located in a failed amusement park and is owned by a mysterious crime syndicate.

Perepoint would have Betty believe that Experimental is just that – experimental – and is the latest venture of an unnamed Hollywood studio. He takes advantage of the newlywed's naïveté to score footage of her in the flesh, assuring the actress that that this "professional screen test" is an industry standard: "It's very simple Betty... Before we invest money in a girl, we must know her figure as an artist would know it."

Hot Star isn't exactly hot stuff, but then no Arco Sophisticate is. Ellipses serve to suggest.

Perepoint provides Betty with coffee and cigarettes spiked with a drug that promotes sexual arousal. As the it takes effect, he puts on a record, Festival of Aphrodite, and Betty strips.

The girl can't help it.

From this point on, Betty acts as a Pavlovian bitch, becoming aroused whenever the music plays. 

Remove the sex and drugs from these dance scenes and you have an ideal tale for Superman's Girl Friend, Lois Lane. A better story, buried within the early chapters, involves Frank Legault, who works the assembly line beside Bob: "He was a powerfully built, blond young man of thirty-one and, despite he handicap of his artificial legs, could stand up at a bench or drilling press for hours."

Frank lost his lower limbs in the war. He peddles pornographic photos  on the side and has started screening spicy films at the local union hall with the goal of earning enough money to open a small novelty store. His wife wants to help, but her vision is failing. She's learning Braille.

Frank's is not as sophisticated a story as Betty and Bob's, but isn't it the one you'd rather read? Is it not more real?

I've always preferred Earth-One to Bizarro World.


Favourite passage: Questions regarding punctuation, capitalization, and more are best left addressed to the Arco editor. 

He told her that he was going to star her in an adaptation of the Madame Bovary classic, with emphasis on nude love scenes. "especially that scene in the garden where Madame Bovary keeps a tryst with her new lover, while her husband is asleep inside. How does that appeal to you Betty?"
     "I've always wanted to play Madame Bovary," she said.

Trivia: Though Hot Star was published sixteen years before Alvin Schwartz left the United States for Canada, there is Canadian content. The second night of Betty and Bob's honeymoon takes place in Montreal: 

Their so awfully disappointing second night, when they drank wine, and Bob, instead of becoming an exciting lover under its influence, only became silly and had burst out laughing even while he... until what might have been glorious fulfillment to their romance had become a joke... on her. This stranger, or that Frenchman, she felt sure, would have made her feel... feel.... 

Object: Cheap paper bound in sturdy yellow boards. The novel proper is followed by nine pages of adverts for other Arco titles, beginning with Touchable (1951), co-written by Schwartz and 

Access: One copy is listed for sale online; at US$15.00, it's a steal. Evidence suggests that not even Library and Archives Canada has a copy.

Go get it!

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11 November 2023

Remembrance Day


Daniel Issac Vernon Eaton was the father of novelist Evelyn Eaton, whose 1940 international bestseller Quietly My Captain Waits was reviewed here this past April. Known as Vernon, he was born on 19 September 1869 at Salmon River, Nova Scotia. Eaton was a civil engineer, surveyor, typographer, and geologist, but believed military service to be his true calling. At twenty-six, he left a good position at the Geological Survey of Canada for a career as a soldier. Eaton served in the South African War and the Great War, during which he was promoted to lieutenant-colonel.

Records indicate that during the latter conflict his wife, Myra Eaton (née Fitz Randolph), relocated from Kingston to London. It's possible, but not certain, that daughter Evelyn was living in the Big Smoke when news was received that her father had been killed whilst preparing to take Vimy Ridge.

Eaton's entry in the Dictionary of Canadian Biography is recommended. Written by Glenn Wright, it concludes:

Vernon Eaton was tall and handsome with steely grey eyes and a dark complexion. He was keenly aware of his Eaton family heritage and proudly wore a tattoo of the family crest on his right arm. Twice he was mentioned in dispatches for gallant and distinguished service in the field. In many ways he epitomizes the professional soldier in Canada in the period from the 1890s to World War I. With opportunities for training and for active service, Eaton carved out a promising career for himself as an experienced artillery officer of the first rank, only to lose his life on the eve of Canada’s greatest military achievement of the Great War.

Daniel Issac Vernon Eaton
19 September 1869, Salmon River, Nova Scotia, Canada
11 April 1917, Vimy Ridge, France

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02 November 2023

Abraham's Bosom and the Great Change of Life



Abraham's Bosom
Basil King
New York: Harper & Brothers, 1918
54 pages

A short story masquerading as a novella, Abraham's Bosom first appeared in the March 30, 1918 edition of The Saturday Evening Post. Its publication nearly coincided with Germany's devastating spring offensive, which resulted in more than 862,000 Allied dead and wounded. 


Abraham's Bosom begins in a doctor's office. Berkley Noone, first rector of St Thomas, is told that he is suffering from the very same rare disease that had afflicted organist Ned Angel. A "near-sighted fellow with a limp," Angel had trained the choir of St Thomas for forty years – "without salary" – only to be dismissed by Noone after sharing his diagnosis.

Abraham's Bosom frontispiece.
The organist died two months later.

After receiving his own diagnosis, Noone walks about the city a bit before taking to his death bed. As he lies dying, the reverend reflects upon on his marriage and children. Wife Emily hovers about, propping him up in what she insists are the most comfortable positions. Their five children, whom he considers disappointments, visit from time to time. All are present during his final moments as the reverend gazes somewhat vacantly at an engraving of his favourite painting, William Homan Hunt's The Light of the World. His eyes see the lantern glowing brighter and brighter until it outshines the afternoon sun.

It takes time for Noone to recognize his passing. He'd expected an instant in which his soul would "tear its way out of his body and he should be thrust, a naked, quivering bundle of spiritual nerves, before angels and archangels and principalities and powers, and a God whose first question would be that which was put to Cain: "What hast thou done?"

Instead, he's met by Ned Angel.

As a story, Abraham's Bosom is much shorter than it appears. The diagnosis, wandering, and death bed scenes are brief; the better part of the book involves theological discussion as Angel sets Noone straight on things theosophical and what the reverend may expect now that he has passed through the "great change." It was followed six months later by King's far superior Going West, which concerns a ghostly journey shared by German and American soldiers who have killed each another in battle. 


Both are products of the author's growing interest in spiritualism, sown in Flanders and other bloody fields. In this respect, he was far from alone amongst bestselling authors – Arthur Conan Doyle, for example – but he did stand out as a popular Anglican minister who challenged church doctrine. Reverend King did not believe in death, rather the continuance of life. In Reverend Noone's case, as with everyone, there is no sudden tearing of the soul from the body, rather a gentle imperceptible "great change."


That term – "great change" – features three times in the text, and on the first of three different dust jackets Harper used to sell book (above). I suspect King himself wrote its words. Note the second paragraph:
This story will bring Comfort and Consolation to many who are in trouble of mind about the Hereafter.
In the Hereafter, as King believes it to be, those who have passed through this great change see things with different eyes. Berkley Noone sees his wife and children as themselves but themselves glorified:
Emily was again the dryad of their youthful days; but a dryad with ways of light and tenderness he had never known her to possess. Each of the children was bathed in the same beautifying radiance. He knew them – and yet he didn't know them. All he could affirm of them exactly was that his doubts and worryings and disappointments on account of them were past. He felt what Angel had just been telling him, that he was waking from some troubled dream on their behalf.
Noone's familial relationships will continue. As with the soldiers in Going West, he will be able to visit and even communicate. 

If anything, Reverend King's The Abolishing of Death (1919), an account of his experiences communicating with nineteenth-century chemist Henry Talbot – but not really – would've brought further comfort and consolation to the greiving.

Knowing the date of composition, some nine months before the Armistice, what struck me most about Abraham's Bosom is its disconnect from the Great War.  The conflict, which plays such a part in his novels  The High Heart (1917), Going West (1918), The Thread of Flame (1920), The Empty Sack (1921) is not so much as mentioned. Or might it be that the allusion is subtle? Here's Ned Angel:
"How are the Children of Dust making use of the knowledge they've gained during the last fifty years of their counting? Is it to help one another? Is it to benefit themselves? Is it to make the world happier, or more peaceful, or more prosperous? Haven't they taken all their new resources, all their increased facilities, all their approximations to Truth, all their approaches to God – the things which belonged to their peace, as Jesus of Nazareth called them – and made them instruments of mutual destruction? Aren't they straining their ingenuity to devise undreamed-of methods for doing one another harm?''
I write this nine days short of the 105th anniversary of that Armistice. 

Object and Access: My copy, which is in pretty rotten shape, was purchased seven years ago as one title in a box containing twenty or thirty old Canadian books. Price: $20.

The frontispiece featuring afflicted organist Ned Angel is one of four Walter H. Everett illustrations commissioned for The Saturday Evening Post. Interestingly, no matter the placing, all depict scenes and from the first third of the story. This image, with caption from the opening pages of the story, appears at on the final page of its Post debut:

The "timid, wild-eyed nymph of a thing who had incarnated for him all that was poetry in the year when he was twenty-eight" is Reverend Noon's wife. She's a cutie!

Online booksellers list copies beginning at five American dollars, but they'll demand a further US$30 or US$35 for shipping. Some have dust jackets, some do not. The one you want to buy is offered by a Massachusetts bookseller who promises an inscribed copy at US$75.

All claim to be offering the first edition, but as I've discovered, there are at least three variants.

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