William Arthur Deacon, as pictured on the back cover of the 1953 Ryerson edition of The Four Jameses.
Library Loot: January 21 to 27
2 hours ago
08 August 2012
Author Photo of the Month: William Arthur Deacon
William Arthur Deacon, as pictured on the back cover of the 1953 Ryerson edition of The Four Jameses.
02 August 2012
The LSD CanLit
Regrets? I've had a few. Just last week I passed on a fine Macmillan first edition of Bernard Epps' Pilgarlic the Death that was priced at two dollars. Why? Well, I already had the 1980 Quadrant Edition... and I wasn't thinking straight. Don't get me wrong, I pretty happy to have this:
But I could've also had this:
I'm thinking here of old folks like Stephen Leacock, social conservative and staunch Conservative, who died thirteen years before the word "psychedelic" was even coined. I've said it before and I'll say it again, the David John Shaw cover above looks like it might've graced Joe Rosenblatt's The LSD Leacock (Toronto: Coach House, 1966).Even writings about Leacock bring the Merry Pranksters to mind.
I don't mean to suggest that our two big publishers were unique, rather that they were more hip than their American and British counterparts. Just cast your glazed gaze upon the McClelland and Stewart edition of Farley Mowat's 1969 The Boat Who Wouldn't Float
...and compare it to the first American edition from Little, Brown
...and the staid first British edition, published by Heinemann in swinging London.
Next to Pilgarlic the Death, my favourite cover of those heady times was drawn by an anonymous hand for Gérard Bessette's Incubation (Macmillan, 1967).
But I don't think there's a greater example of this short-lived trend than McClelland & Stewart's 1969 cover for Never Sleep Three in a Bed, Max Braithwaite's boyhood memoir. Here we see the author's father, George Braithwaite, driving the family car into Pepperland.
That sun on the cover is setting. The new day and new decade would be less colourful. Macmillan was still capable creativity, while M&S decended into what I refer to as "The Letraset Years"
1973
1974
|
 |
... about which, the less said the better.
27 July 2012
Harper Hockey Book Watch: Year Nine, Day 39
Summertime and the living is busy... so busy that it wasn't until this past weekend that I finally got around to reading the annual Fall Preview issue of Quill & Quire, "Canada's Magazine of Book News and Reviews". Such riches! A new collection from Alice Munro, a memoir from Neil Young and – ahem – a selection of John Glassco's letters edited by yours truly.
Yes, riches, but I couldn't help but feel let down. Where, I wondered, was the prime minister's hockey book?
True, he's been promising the thing for years, but last December Mr Harper let it be known that it was finished and a 2012 pub date had been set. The news came courtesy of Jane Taber, who ended a Globe & Mail fluff piece about her invitation to 24 Sussex for "a Christmas drink" thusly: "Finally, there is a publishing date for the long-talked about and much-anticipated prime ministerial tome one [sic] hockey history. Mr. Harper said that after writing for 15 minutes every day for eight years, the book will hit the shelves next year."
Tonda MacCharles, who was also invited for a cup of Christmas cheer, reported something similar in the Toronto Star... and the rest chased the puck:
PM Harper's Hockey Book to Drop Next Year
PM Stephen Harper's Hockey History Book Out in 2012
Harper Lands Publisher, Eyes 2012 Release for Hockey Book
PM Stephen Harper's Hockey History Book Out in 2012
Harper Lands Publisher, Eyes 2012 Release for Hockey Book
In fact, there was no publication date, nor was there a publisher. What's more, the PMO soon revealed that the dedicated Mr Harper was still setting aside fifteen minutes each day to write his book.
And so, I sighed... and reminded myself that the prime minister first told us he'd finish the book in 2006.
Then, on 25 February, my rolling eyes were drawn to a Toronto Star story that the book had "sparked a bidding war among major Canadian publishers." What's more, Bruce Westwood of Westwood Creative Artists had confirmed that in just six days the prime minister would choose the winner.
Since then... crickets.
No publisher stepped forward in triumph, Westwood has issued no press releases, and the media appear wholly disinterested. Not one outlet, Quill & Quire included, has remarked on the fact that "the long-talked about and much-anticipated prime ministerial tome" was not on any publisher's fall list.
Meanwhile, the Conservative Party website has it that our prime minister is still writing away:
And so, I sighed... and reminded myself that the prime minister first told us he'd finish the book in 2006.
Then, on 25 February, my rolling eyes were drawn to a Toronto Star story that the book had "sparked a bidding war among major Canadian publishers." What's more, Bruce Westwood of Westwood Creative Artists had confirmed that in just six days the prime minister would choose the winner.
Since then... crickets.
No publisher stepped forward in triumph, Westwood has issued no press releases, and the media appear wholly disinterested. Not one outlet, Quill & Quire included, has remarked on the fact that "the long-talked about and much-anticipated prime ministerial tome" was not on any publisher's fall list.
Meanwhile, the Conservative Party website has it that our prime minister is still writing away:
I meet with many world leaders and representatives of foreign governments and invariably the subject comes up. Many have observed to me that we Canadians are seen as generally a pretty modest, quiet, unassuming-type people – but they notice with Canadians that when the subject of hockey comes up we get very loud and start waving our arms around. It's a bit of a standing joke.*
* From the prime minister's Foreword to How Hockey Explains Canada by Paul Henderson and Jim Prime, published in 2011 by Triumph Books of Chicago, Illinois. There is no Canadian publisher.
Related posts:
23 July 2012
Graphic Film, Graphic Novel
eXistenZ
David Cronenberg; illustrated by Sean Scoffield
Toronto: Key Porter, 1999
For nearly two decades, The Dead Zone stood as my favourite Cronenburg film – then along came Spider, A History of Violence, Eastern Promises, and A Dangerous Method. The Toronto filmmaker has been going from strength to strength this millennium, encouraging me to catch up on everything I'd missed.
Last week it was eXistenZ, Cronenberg's fin de siècle nightmare about gamers, the gaming industry and Blinky the Three-Eyed Fish. One of the director's body horror films, the title refers to a new game system contained in a disease-prone pod that is in fact "an animal grown from fertilized amphibian eggs stuffed with synthetic DNA." You play by inserting a 12-foot UmbyCord of "twisted, translucent, blue and red veiny vessels" into your spine through a permanent Metaflesh bioport.
Steve Jobs would've called this a "shit design".
Jennifer Jason Leigh stars as Allegra Geller, the designer behind eXistenZ. A "game-pod goddess", she's just begun leading her fawning followers through a test when things appear to go very, very wrong. First, an assassin tries to kill her with a gun made of flesh and bone (she takes a tooth in the shoulder), then she's saddled with timid Ted Pikul (Jude Law), who is not only an ineffective bodyguard but an UmbyCord virgin.
There is no drama.
Don't get me wrong – as a film, eXistenZ is not a triumph – but it is worth seeing.
Warning: Not for the squeamish.
Better yet, see Cronenberg's A History of Violence, which – interestingly – was adapted from John Wagner and Vince Locke's graphic novel of the same name.
Warning: There will be violence.
Did that need saying?
Object: A slim paperback – 111 pp – containing the graphic novel, an uncredited interview with Cronenberg, an uncredited essay on his films and a Glossary (uncredited).
Access: My copy, signed by Messrs Cronenburg and Scoffield, was purchased new for $24.95 back in the spring of 1999 at Toronto's TheatreBooks. "Very scarce thus", claims an online bookseller (who offers two copies). I'm not so sure. I remember plucking mine from a teetering stack of signed copies. In fact, half of the fourteen currently listed online are signed by both men; prices range from US$40 to US$98 (condition is not a factor). Unsigned, "as new" copies begin at US$4.09.
17 July 2012
Talking Montreal Noir with Nigel Beale
Audio of my recent interview with Nigel Beale can be found here. Lots of talk about Brian Moore, Ted Allan, News Stand Library, Véhicule's Ricochet Books series and more!
16 July 2012
14 July 2012
Celebrating the Northrop Frye Centenary
Herman Northrop Frye
(14 July 1912 - 23 January 1991)
The great man in conversation with historian Ramsay Cook, broadcast 3 September 1973.
13 July 2012
Teasing the Private Dick
A pithy, yet passionate passage from David Montrose's The Body on Mount Royal (Winnipeg: Harlequin, 1953):
I noticed she was wearing a zippered dress. I turned those thoughts over in my mind for a little while and decided it might be a good idea for me to go get into a cold shower right away.Lila said, with a teasing grin, “There was another reason why I came around. I was afraid the demonstration the other night maybe wasn’t convincing.”I swallowed hard. “Demonstration?”“About the foam rubber,” she said. “Remember?” Her hand travelled slowly up to the neck of her dress. She unzipped.It was away too late for the shower.“See?” she said proudly, and she could be proud.This time there was no possibility of doubt. Because there was no brassiere.A few minutes later she said, “Well, my golly! You might take off that old gun belt!”
09 July 2012
The Unpleasant End of Russell Teed
The Body on Mount Royal
David Montrose [pseud. Charles Ross Graham]
Winnipeg: Harlequin, 1953
First the good news: our private dick is back to drinking beer. The bad news is that he's hitting the hard stuff more than ever.
What happened? When we first met Russell Teed, back in The Crime on Cote des Neiges (1951), he specialized in investigating corporate embezzlement and fraud. A son of privilege, known for his discretion, Teed's introduction to Montreal's seamy and seedy came when he was hired to look into the husband of a childhood friend.
A year later in Murder Over Dorval, the private detective who had once taken such pains to present his services as "private investigatory", returned as a self-described "skip-chaser... an eye, a Humphrey Bogart role." The corporate jobs were pretty much gone, and while Teed told us then that he was "sober, sensible, and not given to impulse", we could see that wasn't at all true. Things are much worse in The Body on Mount Royal; Teed can't even go a few blocks to meet a friend for drinks without having to stop in at a tavern en route."Don't walk alone at night on Mount Royal," narrator Teed advises the reader, "a big, brave friend of mine looked awful funny without his wallet, wristwatch, glasses, pants, and false teeth." The ramblings of a barfly? Can't say I've ever had a problem myself. Never mind. A body is found on Mount Royal, but as Teed discovers, the murder is not a mugging gone wrong. The Body on Mount Royal is set in the united underworld of blackmail and illegal gambling. The mysterious Montrose seems to have been quite familiar with the latter – it fuels Gambling with Fire, his fourth and final novel – yet I found myself less interested in barbotte and craps than with the women in Teed's life.
In previous outings the dick was crazed in his infatuations; here he's unhinged. The first woman to attract Teed's attention is Elena Giotto, "a tall girl, with a surface coolness that made you feel you should approach her with a gift, begging acceptance." Hours after their first fleeting encounter, he meets Lila, Elena's doppelgänger. She'll do in bed, but it's Elena he really wants.
And it's Elena he gets.
And following the sad model set by men everywhere, once he's won Elena Teed decides that it's Lila he really wants.
I've spoiled things a bit, though I rush to add that the above reveals nothing of the mystery in The Body on Mount Royal. That said, those intending to read the book are warned that the following will spoil:
In the final two pages, Elena takes a bullet by throwing herself between Teed and an assailant. She dies. The assailant's head is split open by an axe-weilding Lila. He dies. Teed then empties a clip into the assailant's face as payback for those he'd killed: a blackmailer, a blackmailee, some innocent girl who got caught up in it all... but not Elena, the woman who loved him, the woman who saved his life, the woman who lies dead at his feet.
As I say, unhinged.
Lila then takes Teed's arm and suggests they take a trip to Bermuda.
Yes, unhinged.
The Body on Mount Royal is the final Russell Teed mystery. It's a wonder that he made it that far.
I'm betting he died of drink.
Trivia: The Body on Mount Royal is the only Montreal noir novel to mention the Aldred Building, the most noirish-looking structure in the city.
Full disclosure: I'm Consulting Editor for Véhicule Press' Ricochet Books series, of which this title is soon to be a part.
Though the clothes are all wrong, that would be Lila on the cover. The bottle – also wrong – should look something like the one pictured above. By the way, the man clutching his head counts as the only image of Teed.
Access: The Body on Mount Royal enjoyed just a single printing. One lonely copy is on offer online, and it sure ain't pretty: "Moderate spine slant, moderate edgewear, an unfortunate full-length vertical crease to front cover, a couple of other creases to front cover, the usual Harlequin tanning. Quite scarce. Good to Very Good." I'll agree that it's quite scarce, but can a copy so described be "Good to Very Good"? Price: US$75 (plus US$12 shipping).
Library patrons will find copies at Library and Archives Canada, the Toronto Public Library, the University of Calgary and the Thomas Fisher Rare Book LIbrary at the University of Toronto.
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