Short pieces on books I've always meant to review (but haven't).
Psyche Phyllis Brett Young Toronto: Longmans, Green, 1959 319 pages
Psyche was Phyllis Brett Young's first book. My copy, signed by the author and inscribed by her mother, was purchased two years ago for £20 from a bookseller in Wallingford, UK. It should have cost me a small fortune.
Canadian literature has not done right by Phyllis Brett Young. Her writing career came and went in ten years – 1959 to 1969 – during which she produced six remarkable books. Well-received, they were published in Canada, the United Kingdom, the United States, and Australia; French, German, Finnish, and Dutch translations followed. And yet, Phyllis Brett Young's name doesn't feature in The Canadian Encylopedia, The Oxford Companion to Canadian Literature, The Cambridge Companion to Canadian Literature or the Encyclopedia of Literature in Canada. I first learned of Young with the 2007 McGill-Queen's University Press reissue of The Torontonians (1960), her second novel.
A novel titled The Torontonians, set in Toronto, written by a Torontonian, rescued from obscurity by a Montreal-based press. At the time, San Grewal wrote a good piece on the novel and its rediscovery for the Toronto Star:
The author's three remaining books – Anything Could Happen! (1961), Undine (1964), and A Question of Judgement (1969) – have now been out of print for more than a half-century.
In a country plagued by indifference regarding its literary heritage, Phyllis Brett Young remains the most unjustly neglected writer.
A celebration of September from Harold Campbell "Hal" Mason's Three Things Only... (Toronto: Thomas Nelson, 1953). Much cheerier than his 'March, 1918' and 'Easter, 1942'.
CanLit professors hold many, many secrets. Sitting through their lectures, I heard no mention of Grant Allen, Robert Barr, Margaret Millar, Ross Macdonald, Mavis Gallant, John Buell or Phyllis Brett Young. It wasn't until a course titled "American Writers of the Twenties," taught by an American, that I was introduced to John Glassco. Louis Dudek considered Glassco's Memoirs of Montparnasse "the best book of prose written by a Canadian," but it wasn't on syllabi of we 'eighties CanLit students. Those looking to read the book today will find it available only through an American publisher.
Why isn't Memoirs of Montparnasse taught in CanLit courses? Why isn't The English Governess?
Glassco's English Governess stands with his Squire Hardman as the greatest pastiches in Canadian literature. So great was his talent that academics have erred in describing the former as a work of Victorian erotica.
Edward VII was on the throne when Glassco was born. Elizabeth II had begun her long reign when Glassco wrote The English Governess. Victoria was more than a half-century dead.
Published under its Ophelia imprint, The English Governess was an Olympia Press bestseller. When seized by French authorities, publisher Maurice Girodias released a new edition with the title Under the Birch. It is the bestselling Olympia Press book by a Canadian author. The Whip Angels comes second.
The novel was first published in 1955 as by "X X X." Diane Bataille, the woman behind the novel, was born Princess Diane Kotchoubey de Beauharnais on 4 June 1918 in Victoria, British Columbia, She was the second wife of philosopher, librarian, pornographer Georges Bataille. He was her second husband. The Whip Angels may have been written in response to his claim that she'd never be able to write erotica that could stand up to his. Was "X X X" inspired by husband Georges' "Louis Trente" pseudonym? So little is known about Diane Bataille. The Whip Angels is Diane Bataille's only known novel. It has been suggested that she wrote policiers for money, but evidence is lacking.
Like The English Governess, The Whip Angels is forever being ravaged by pirates. Separating the legitimate from the illegitimate is a challenge.
Diane Bataille is one of our bestselling authors. She is one of the very few Canadian Olympians.
Is it not time we recognize and celebrate Diane Bataille?
A Bonus: What my wife refers to as "Brian Busby music."
A writer, ghostwriter, écrivain public, literary historian and bibliophile, I'm the author of Character Parts: Who's Really Who in CanLit (Knopf, 2003), and A Gentleman of Pleasure: One Life of John Glassco, Poet, Translator, Memoirist and Pornographer (McGill-Queen's UP, 2011; shortlisted for the Gabrielle Roy Prize). I've edited over a dozen books, including The Heart Accepts It All: Selected Letters of John Glassco (Véhicule, 2013) and George Fetherling's The Writing Life: Journals 1975-2005 (McGill-Queen's UP, 2013). I currently serve as series editor for Ricochet Books and am a contributing editor for Canadian Notes & Queries. My most recent book is The Dusty Bookcase (Biblioasis, 2017), a collection of revised and expanded reviews first published here and elsewhere.