02 December 2020

Nazis Threaten from Beyond the Grave!



The Sleeping Bomb
James Moffatt
London: New English Library, 1970
125 pages

Jim used to say, "It's a business, it's the way I make my money, and I can live this way. I mean, people who write hardbacks can take a very, very long time to write them, which is very nice if you've got a good income behind you. Jim didn't have. I mean, he simply wrote to live, and he enjoyed doing it.
— Derry Moffatt, 1996 
The Sleeping Bomb appeared at news agents a few months after the author's pseudonymously published Skinhead. I wonder whether Moffatt knew by that time that he'd scored a smash hit. Skinhead was easily his biggest seller, spawning Suedehead (1971), Boot Boys (1972) Skinhead Escapes (1972) Skinhead Girls (1972), Top Gear Skin (1973) Trouble for Skinhead (1973) Skinhead Farewell (1974), and Dragon Skins (1975).

Even today, a half-century later, skinheads hold Skinhead and its sequels in high regard.

The Sleeping Bomb is a lesser work. Bereft of braces and Doc Martins, it begins on the other side of the pond – beneath the Hudson River, to be exact – with the discovery of a thirty-year-old one-man Nazi submarine during the construction of a new tunnel linking New York and New Jersey.

CIA agent Paul Henderson is assigned the case.

Why the CIA?

I have a theory – which is mine – that Moffatt knew he was out of his element when it came to responsibilities, jurisdictions, command structures, and the like. For this reason, he sets the novel in not-so-distant 1975, a year in which the armed forces of Canada, the United States, Mexican, and the United Kingdom fall under the centralized authority of the North Atlantic Defence Alliance. Intelligence agencies are being unified in a similar manner, which explains how Henderson ends up working under a Brit named Silas Manners

Not Silas Marner.

Not Miss Manners.

Because the sub is armed and booby-trapped, its hull cannot be breached. Dials, some broken, indicate that it contains a time bomb that is set to explode at some point in 1975. Whether government, intelligence or military, no one knows just  just what will happen, but everyone is sure it'll be really, really bad. 

The situation is so dire that I wondered why Henderson and Manner were left on their own to figure it all out. Restructuring, perhaps. As in any Richard Rohmer novel, the pair spend a good amount of time flying from place to place in an effort to get to the bottom of things. In their travels, they learn that the sub carries a "parasitic bomb" which will kill everyone within an area amounting to 250,000 square kilometres. 

The Americans published The Sleeping Bomb as The Cambri Plot. I mention this because because Cambri  – "Project Cambri" – is referenced a couple of times early in the novel.

Sure seems important. The ABC Movie of the Week President of the United States has a conniption when Paul Henderson let's slip that he's heard about it:
"WHAT!! Where did you hear that name, Henderson?"
   Paul wished to hell he'd kept his big mouth shut. "In General Herschfeld's office, sir. I overheard it when I paid a visit to him..."
   "Have you mentioned this to your colleagues?"
   "No, sir!"
   "Thank God!" The president's heavy breathing could be heard clearly.
Project Cambri involves rockets that can land on a pinprick. Their purpose is to carry documents and diplomats that might otherwise be intercepted by the Soviets.

That Project Cambri – note: not "The Cambri Plot" – is barely mentioned must have seemed strange to American readers. It vanishes in the early pages, only to reappear as the climax approaches. With three pages to go, I was interrupted by Kiefer, our nine-month-old Schnauzer. We played, and then went for a long walk.

As we made our way along our lonely rural road, I thought of everything that was wrong with the novel. I wondered whether visitors to East Germany were never searched. I tried to imagine Henderson piloting a locomotive across several hundred meters of railway ties, and then managing to get it back in the tracks.

Yeah, that happens.

More incredible was the Nazi plan, which involves planting a time bomb during the dying days of the Second World War and then waiting, waiting, waiting... The detonation, thirty years later, is intended to both bring about the reunification of a country that hadn't yet been divided and bring the world to its knees. Why not just set the bomb off in 1945? Why not kill millions and threaten millions more? Wouldn't that have brought the war to a sudden end? Wouldn't that have given Hitler the upper hand?

I'll never understand Nazis; James Moffatt's Nazis included.

Favourite passage: "CRAAAAASH! Wood splintered, flew in every direction. CRUUUUMP!"

Trivia I: New English Library's cover copy (below) was clearly written by someone who had not read the novel. The bomb would cover 250,000 square miles, not one thousand.

No neo-Nazis figure.             


Trivia II: Silas Manners reappears in Moffatt's Justice for a Dead Spy (London: New English Library, 1971).

Object: A slim, cheap mass market paperback. The novel itself is followed by three pages of adverts for other New English Library books.

Isn't this tempting!


Access: The Sleeping Bomb enjoyed one lone printing. Five copies are listed for sale online at prices ranging from £3.95 to £6.19. Condition isn't much of a factor.

The Cambri Plot was published in 1973 by Belmont Tower. Copies of that edition range from US$4.10 to US$55.42.

The novel last appeared as a Spanish translation, La Vengganza de Hitler, "una novela escalofriante," published in Mexico City in 1974 by Novaro.

Whether academic or public, not one copy of any is held by a Canadian library.

01 December 2020

Just like a paperback novel...



Released fifty years ago this month. Always chokes me up.
If I could read your mind, love
What a tale your thoughts could tell
Just like a paperback novel
The kind the drugstore sells
When you reach the part where the heartaches come
The hero would be me
But heroes often fail
And you won't read that book again
Because the ending's just too hard to take


12 November 2020

What to Do? What to Do?



The New Front Line
Hubert Evans
Toronto: Macmillan, 1927
291 pages

Hugh Henderson has returned from the Great War, but not to his Ontario home. During the conflict, his parents relocated to Vancouver, a city that seems nearly as foreign as those he encountered overseas. Now twenty-five, with four years of military service behind him, Hugh is expected to start in on a career. His parents have renewed their offer to "see him through" college, but Hugh doesn't think it's for him.

So, business it is! Or so thinks his father.

A higher up in a thriving plate glass company, Hugh's dad is in a good place to find his son a position. Over a lunch at a department store restaurant, he introduces Hugh to a builder named Canby, who happens to belong to a committee dedicated to finding employment for returning soldiers:
"I'm only too glad to do it, Mr. Henderson. I know what you boys went through—," the statement seemed to lose by over-emphasis— "but just the same it's a handful for a man that's got to hustle."He raised his glass of milk and drank deeply, his little finger sticking out like a frozen sausage.
     "Course most of the boys appreciate it," he went on. "But a few don't and that kinda makes me sore. You were over there, Mr. Henderson, and you know s'well's I do that some pretty useless tools got into the army. And some of them got shot up for us too. Mind I don't forget that, but it's these sort of men that's hard to place." 
As Canby rambles, Hugh gobbles up his meal, excuses himself, and makes for the crowded streets of Vancouver's downtown. Here he passes men, who like himself sport "FOR SERVICE AT THE FRONT" pins on their lapels, yet introspection lies closer to home: 
He thought of Canby trying to "place" the returned men. Canby was like a man with one of those puzzle boxes, getting impatient with the pellets that wouldn't let themselves be rolled into place. The rolling pellets annoyed him.
Fortunately – perhaps not – Hugh's father considers his son's prospects a personal project. Ignoring sausage-fingered Canby, he's set his sites on an imminent opening at hardware wholesalers Mogg & Binwell. What Henderson père doesn't know is that fate has already played its part in the form of a chance encounter between his son and happy-go-lucky Sandy Briggs, with whom Hugh served in France. A BC boy, Biggs' was taken out of the war by shrapnel that surgeons could not remove. He rejoined his wife at Cedar City, somewhere north of Vancouver, where the two run a small general store. Briggs' invitation to come up and see him sometime – the fishing is great – is soon followed by a letter sharing that Vancouver surgeons are looking to remove some of the resurfacing shrapnel. He wonders whether Hugh would do him a favour by filling in on a part-time delivery job he has with the local shingle mill.

Against his father's wishes – "You'll lose out with Mogg and Binwell if you go traipsing up there." –Hugh sets out to help his old brother in arms. He finds that Cedar City is no city, rather a small, haphazard collection of houses and cabins separated by a creek from a similarly-sized Indian reserve. Hugh takes to his new surroundings in a way he did not in Vancouver. Evans devotes pages describing the natural beauty of British Columbia:
The sweep of the side-hill was broken in places by outcrops of granite. The lichens on these rocks were grey and brown, and where the rocks overhung and protected their faces from the weather, there were patches of brilliant green. Around these the moss and the strewn needles of the conifers fitted snugly. The sun, low now over the upper valley, sent its rays through the plumbed evergreens at right angles to the hill. It laid yellow light in strokes and curves across the ground, changing some colours, intensifying others. Hugh thought of the side-hill as some colossal canvas propped against the great lump of the upper mountain, and of himself as a toiling insect too minute to see the picture as a whole.
Hugh's father admires the industriousness of previous Hendersons in making something of themselves, each generation building upon the accomplishments of the last, and so finds it hard to accept that his only child would be attracted to a hard, physical life like that of his great-grandfather.


The New Front Line is a first novel, and first novels are so often romans à clef. Certainly, it features something of the author's own story – Evans grew up in small town Ontario, served in the Canadian Expeditionary Force and settled in rural British Columbia – but it has much more to do with his outlook on life, appreciation of nature, and affection for the people of the First Nations. My attraction to this novel had everything to do with the Great War and the treatment of returning veterans. Though these things feature in The New Front Line, they rank amongst the lesser elements; both all but disappear when Hugh leaves Vancouver for Cedar City. Looking over what I've written thus far, I see that I've placed too much emphasis on my own interests. To be frank, I'm still digesting this novel. The New Front Line is an unusual book. It is a remarkable book. There is no good reason it has been out of print these last nine decades. 

Hubert Reginald Evans
9 May 1892, Vankleek Hill, ON -
16 June 1986, Roberts Creek, BC
RIP

Object: Bulky in blue boards, my copy was a gift from my friend military historian James Calhoun. It would appear to have once been presented to a man named Charles Cameron.


Might that Charles Cameron have been one of the forty Charles Camerons who served in the CEF? I don't suppose we'll ever know.

Access: As of this writing, no copies are listed for sale online. The novel can be found at Library and Archives Canada and four of our universities.


11 November 2020

Remembrance Day



Verse from the 1923 edition of Robert Stead's The Empire Builders.

HE SLEEPS IN FLANDERS 
                      He sleeps in Flanders. Well he sleeps,
                           For Flanders' sleep is deep indeed;
                      About his bed the trench-rat creeps;
                      In some far home a woman weeps;
                      And the lone moon its vigil keeps
                           Above his sleep in Flanders. 
                      No note shall break the silent sleep
                           That found him when his day was done;
                      No note is blown so loud and deep
                      That it can pierce the gates of sleep—
                      The earthen gates full damp and deep —
                            That guard his sleep in Flanders. 
                      He saw not where his path should lead,
                            Nor sought a path to suit his will;
                      He saw a nation in her need;
                      He heard the cause of Honor plead;
                      He heard the call, he gave it heed,
                           And now he sleeps in Flanders. 
                      Yet let this ray of light remain,
                           Though darkness cut him from our view;
                      We know the sacrifice, the pain
                      We cannot feel our faith is vain
                      We know the loss, but not the gain
                           Of those who sleep in Flanders.