Arizona Argonauts
H Bedford-Jones
New York: Doubleday, 1923
120 pages
Note: Arizona Argonauts is a novella infused with racial epithets.
Reader discretion is advised.
The cover is deceptive. Arizona Argonauts is not a western. The scene depicted comes from another writer's story. The main characters in this novella drive automobiles.
The first chapter is very strong. It begins with a conversation between Piute Tompkins and Deadoak Stevens, men of prominence in the dried-up former mining town of Two Palms, Arizona. There are two topics, the longest running involves their five-year-old investment in wells, pumping machinery, cement irrigation pipe, pear trees, and almond trees. They hope to see some return in another five years. Of more recent interest is Tom Lee, a "Chinee" who is staying at Piute's hotel. The proprietor sees his lodger as a mystery:
"Ain't he? He is.
Him, and that girl, and what in time they're a-doing
here."
"Even so," echoed Deadoak, as he rolled a list-less cigarette. "Who ever heard of a chink ownin'
a autobile? Not me. Who ever heard of a chink
havin' a purty daughter? Not me. Who ever
heard of a chink goin' off into the sandy wastes like any other prospector? Not me. I'm plumb beat,
Piute!"
The second chapter – there are thirteen in total – is even better. The focus here is Sandy Mackintavers. Six weeks before Piute and Deadoak's conversation, Sandy had been a player in New Mexico. A man whose "unscrupulous fingers had been clutched deep in a score of pies,
sometimes leaving very dirty marks about the edge." However:
Somewhere a cog slipped; he had been indicted for
bribery. That had broken the thick crust of fear
which had enveloped him, had released his enemies
from the shackles of his strong personality. Overnight, it seemed, a dozen men went into the courts
against him, backed by the evidence of those who
had taken his money and had done his dirty work.
Now broken and very nearly broke, Mackintavers drives aimlessly with the remnants of his once significant wealth tucked in his sock. He stops to offer two tramps a ride. The more talkative of the pair is skilled surgeon Douglas Murray. Two years earlier, Mackintavers paid the good doctor an even thousand dollars to remove his appendix. Murray was on top of his game back then, earning big money hand over scalpel:
"It was success that downed me — too much work. I had to
keep going twenty hours a day to save human lives
during the influenza epidemic. It started me working on dope. I knew better, of course, but thought
myself strong.
"The dream book got me at last, like it gets all
the fools. One day, in the middle of an operation,
I broke down. I had to have a shot quick, and I
got it. I had to do it openly, if the man on the table
were not to die; so I did it."
Though Murray managed to conquer "the dream book," the addiction left his reputation in tatters and emptied his wallet. The doctor's travelling companion is a reformed safecracker named Hobbs. Murray discovered Hobbs lying in a ditch, performed a roadside operation, and the two have been fast friends ever since. Mackintavers finds himself in the company of two men who, taken down a peg or three, look to become better people. Having recently suffered his own comeuppance, he's all of a sudden keen to follow their example.
Mackintavers, Murray, Hobbs meander into Two Palms, where they are immediately taken for a trio of rubes. Piute and Deadoak conspire to unload a worthless piece of land. Mackintavers, who knows a thing or two about mining, takes the deal. And then Tom Lee makes a more generous offer.
Arizona Argonauts is the first thing I've ever read by Bedford-Jones. Because he was so very prolific – the man published twenty-five novellas and short stories that same year – I'd made the mistake of thinking he couldn't be any good.
I should've known better; no one publishes that much without some degree of talent.
Bedford-Jones weaves a really good story of mystery, intrigue, violence, and romance. His dialogue is sharp and characters uncommon. Murray is one of two who've struggled with drug addiction, the other being "yellow man" Lee.
The racist epithets and attitudes are jarring. They come from Piute, Deadoak, and an unnamed desert rat who Murray happens to overhear in conversation with the owner of an ice cream parlour:
As I was sayin', Bill, it was the gosh-willingest thing I ever struck! Think o 'me purposin'
mattermony, right off the bat like that — and a
good-lookin' girl, I'm sayin'! And when she was
feelin' around for the right words to accept me,
prob'ly meanin' to fish around an' make me urge
her a mite, I seen her ol' man come walkin' along.
In about two shakes I seen he was a chink." "Yes?" The proprietor tipped Murray a wink,
and set forth the ice cream.
"What then?"
"I faded right prompt," said the desert rat.
"Right prompt! I dunno — It kind o' dazed me fer
a spell. When I got into Two Palms next day, I
was tellin' Piute Tomklns about it, and he up an'
says them two was stayin' at his hotel — the chink and the girl, which same bein' his daughter, he allowed it was all right an' proper. I judge Piute
was soakin' them right heavy, else he wouldn't ha'
stood for chinks boardin' on him. Piute has his
pride — .
Piute, Deadwood, and the desert rat speak as men of a time sadly not yet passed. Murray doesn't share their vocabulary, but he does share their racism, and so is troubled by his attraction to Claire, Tom Lee's daughter. As the novella progresses, and the doctor gets to know Lee, he undergoes a transformation.
It's trite to put it this way – "undergoes a transformation" – but the words are apt. Murray comes to recognize his prejudice and believes it's been conquered. And yet the doctor is surprised to feel relief upon learning that Lee is Claire's adoptive father.
Arizona Argonauts first appeared in the May 1920 edition of Short Stories. Did its early readers focus on issues of race? I'm guessing not. The budding romance between Claire and Murray is just one of the story's many threads. What I can say for certain is that Arizona Argonauts is not at all what I expected.
Appearances can be deceiving.
Object and Access: A cheap early American paperback with blank back cover. I believe my 1923 copy marks the novella's first appearance in book form. A 1924 Doubleday edition can be read online here at the Internet Archive. Date aside, the only difference I see is the inclusion of an illustration (above) not found in the former. As might be expected, the scene does not feature in the novella.
Library and Archives Canada and three of our academic university libraries have one or another of Doubleday's editions.
The
Nick Eggenhofer illustration used by Doubleday comes from 11 April 1922 edition of
Short Stories. It would appear to depict a scene in
George Clifford Shedd's story 'The Man from Mirabito.'
The very same issue features 'The Silent City,' a short story credited to H Bedford-Jones and "W.C Robertson" (which is thought to be one of Bedford-Jones's pseudonyms). 'Guilty,' by fellow Canadian Theodore Goodridge Roberts also features.
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